A Quote by Cillian Murphy
All I've tried to do as an actor is follow the good writing. That's been my main drive. It's not always possible, so when you do come upon it, like when I came upon this, you realize pretty quickly this is something you need to be involved with.
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I came up in the theater, and I learned pretty quickly that reading a review, whether it's good or bad, can strangely affect the next performances, because you're reacting to something that's been said about you. So I tend to avoid that stuff pretty studiously.
'The Good Wife' has actually been something, ironically, that I've watched since episode one, season one in the U.K. because it came up when I was in drama school. I always watched it. It was kind of like an actor's show.
I've worn so many things, I've tried on so many things...I've spent probably thousand of hours in fittings. I can know so quickly how something's going to feel on me, look on me. It's a pretty fast courtship. I say yes or no pretty quickly.
Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions.
When I come home from work, if I just played a really good game and I'm on top of the world, I think changing a diaper will humble me pretty quickly. On days when I struggle, I'll come home and I'll realize that it's not the end of the world.
Kids have been let down by adults - we've tried to give them too much, we've tried not to impose discipline. We've tried to make their lives easier and, in doing so, we've taken something away from them. Kids like boundaries, they also like to be pushed, need to learn what failure is all about, need guidance.
I know conventional wisdom has always been to go to Europe, and I did that early on, and I tried it, but I realised pretty quickly if I wasn't playing, nothing else mattered - I wasn't going to be happy.
I would like to do a lot more of it, I feel comfortable with it and basically it's all in the writing. I'm not a personality type actor, I need a good script in order to be funny, but it's definitely something that I like doing.
Since the beginning, I have always tried to just be me. There have been moments in my career as a YouTuber where I've recognized that I'm trying to emulate something else, or I'm being heavily influenced by a YouTuber or something like that, and I realize that's not what I want to be putting out.
Maybe I was blessed that my main drive was purely selfish. I needed to make something, make my life better, wider, have poetry in my life, have something that gives me hope on an everyday basis. That was my main drive all along, really.
To be a good sports journalist takes many things, but the main thing it takes is the ability to listen and follow your nose - see something, sense something and follow it.
The thing you realize pretty quickly, though, is that being in front of an audience whose job it is to laugh is a big pressure if the writing is not hilarious.
I thought clarity of communication was the most important thing in writing, and if you really cared about getting your idea across, you would say it in the most straightforward way possible. Later, in college and grad school, I came to realize that language is a technology like any other, and that it's always evolving - clarity of expression is always evolving.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer. Not as somebody with a particular idea to sell, or something like that.
I just have to go against the grain. I mean, I can be objective and do what I need to do, handle my everyday living, follow directions, etc. But there's something that's always been attracted to that taboo. It's been like that since I was a child.
One of the mistakes they often make is the designers over-accessorize or over-elaborate. So you realize: this would work if they removed X and Y. And actually, that's the sort of thing that translates into writing, because a lot of the time you realize, I feel I need to add something here but actually what I need to do is subtract. And then there's always the psychodrama and the tears and the rage and the feuds.
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