A Quote by Kim Reynolds

I'm a pretty good listener. — © Kim Reynolds
I'm a pretty good listener.
I'm very thankful, hearing impairment or not, that I've brought listening into my life. I will never say that I'm a good listener, however. Thinking that I was a good listener was one thing that kept me from being a good listener. It's a very dangerous thought. I just want to be better.
I think I'm a pretty good listener.
Tommy (Thompson) is a good listener, and he's a pretty good actor, too.
A good listener is not someone with nothing to say. A good listener is a good talker with a sore throat.
The challenge for a good musician is to bring out compositions that seem fresh to the listener, even if the listener has heard the song or the composition before.
The best thing I could say is you do have to be a really good listener. If I go to a family reunion, and there's 400 people there, everybody comes up and tells me their stories, right? And I think that when you're a good listener, and you can imagine how someone's talking, dialogue is your key friend, is it not?
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
From a young age, I was a pretty good listener, a strong lady. Maybe it helped me that I never felt intimidated by anybody. Even at school, I was always strong. I believed in myself, in what I do.
I have this ideal listener, as John Cage did. This listener doesn't bring expectations that my music will fit into some part of music history, or that it will do any particular thing. This listener is just open to listening.
I've written in the middle of a conversation or the grocery store or at another band's concert or in the last moments before falling asleep. It's pretty unpredictable. I think it's always flowing, and sometimes I'm not listening. There's no formula for when I'm going to be able to be a good listener to myself.
The average person suffers from three delusions: 1) That he is a good driver 2) That he has a good sense of humor and 3) That he is a good listener.
I don't think you can be a good listener unless you're a good listener. I think it's something that you really have to do, and if you really do it, then you can do it. If you don't do it, then you can't do it.
I think, to be a great conversationalist, you need to be interested in being in said conversation. Oddly enough, I think you need to be a great listener, and I do think I'm a good listener. I think that's my asset - I always listen to people when I talk to them, and that's a big thing you have to have in life and in podcasts.
If we want to be heard we must speak in a language the listener can understand and on a level at which the listener is capable of operating.
Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark.
You look at any roster and you say, 'Geez, he's pretty good. He's pretty good. He's talented. He comes off the bench?' All of a sudden, it's, 'Geez, that's a pretty good roster they got right there.'
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