A Quote by Kim Shattuck

When people hear sing-songy melodies, they think the lyrics will be nice, too. I guess there's a depressing or psychotic side to my personality that pops out in the lyrics.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
When I sing a tune, the lyrics are important to me. Most of the standard lyrics I know well. And as soon as I hear an arrangement, I get ideas, kind of like blowing a horn. I guess I never sing a tune the same way twice.
We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
I'm a huge fan of sing-songy lyrics and loud guitars. Whatever punk band does that gets a gold star!
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
I want people to hear my lyrics and my melodies and say, 'That dude's in pain.'
I was asked by this British band called Kairos 4Tet to write lyrics for them. And I wrote lyrics for them. The album is called 'Everything We Hold,' and you can hear my lyrics.
There are no rules or certain methods. I usually start with the guitar or piano and sing melodies over the chords. The lyrics seem to be born out of that, and the fact that it's still a mystery to me is my favorite part.
Well, you know, it's a younger person, and it was maybe an effort to be a little more sincere and adult about the lyrics occasionally, which is a good thing. It's nice that it's not too self-conscious like some of our lyrics could be.
People are always asking me what my lyrics mean. Does it mean this, does it mean that, that's all anybody wants to know. F**k them, darling. I say what any decent poet would say if you dared ask him to analyze his work: If you see it, dear, then it's there. ... I think my melodies are superior to my lyrics. ... I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
When you hear my lyrics, you hear the shots that I throw at people. I throw shots because I always been the underdog. I got rejected so many times, and I say it in my lyrics constantly.
I first write melodies that will make people shiver, and then, I add the lyrics.
Pretty much any given day, barring some major distraction, I get melodies coming to me. Lyrics don't come quite as easily. So I've been inventing little projects and challenges to sort of kick my ass with the lyrics.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
If you can say the lyrics almost like a poem and they stand up, that's a great thing. Some songs have great lyrics and I don't like the melodies, and vice versa.
I think my melodies are superior to my lyrics.
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