A Quote by Kim Young-kwang
In this filthy despicable world someone suddenly reached out and held on to me. My life in my darkest moment, at the moment of all moments. The one person that reached out to me, was you Yoon Jae In
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The berries. I realize the answer to who I am lies in that handful of poisonous fruit. If I held them out to save Peeta because I knew I would be shunned if I came back without him, then I am despicable. If I held them out because I loved him, I am still self-centered, although forgivable. But if I held them out to defy the capitol, I am someone of worth. The trouble is, I don't know exactly what was going on inside me at that moment.
I acted as a mood builder in 'Love Rain,' so I thought it was going to be a similar role in 'Reply 1997.' Then I found out it was for the role of Yoon Yoon Jae, so I said no. I didn't think that I was in the position to take such a cool character.
As soon as I got hurt Kurt Angle reached out to me, Steve Austin reached out to me, and Edge, who I already had a pretty good relationship with.
I sometimes feel that I am trying to dig in the world around me. I'm involved in another kind of archaeology to look for another kind of truth, and the moment I find, the moment I am separated from that life, the moment I am sort of in a world, every time I have gone out and performed in the, in the cinema for example, if you do two or three films on the trot you suddenly have this impression that you're becoming separate or separated from the world around you.
The moment I realised anyone could be watching - and this is going to sound so name-droppy - was when Ricky Martin reached out to me on Coming Out Day 2012. The Internet has this massive potential, and you can never know the effect you might have on others by just being yourself.
He reached forward then took me in his arms, held me close for a moment, the breath of snow and ashes cold around us. Then he kissed me, released me, and I took a deep breath of cold air, harsh with the scent of burning.
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
Art must take reality by surprise. It takes those moments which are for us merely a moment, plus a moment, plus another moment, and arbitrarily transforms them into a special series of moments held together by a major emotion.
Love the moment. Flowers grow out of dark moments. Therefore, each moment is vital. It affects the whole. Life is a succession of such moments and to live each, is to succeed.
A young girl reached out to me to be her mentor one day, which I didn't really know anything about. What I did remember was what it was to be alone as an African-American dancer in the ballet world and wanting to connect with someone who looks like me.
Me and my wife had somehow finally reached a moment in which our lives made sense, in which we were comfortable in certain material ways, and in that very moment we were faced with a medical situation that could only really be resolved with death or time. Suddenly we had become these people who didn't drink anything but kale, who ended many of our conversations with tears, and for whom no future was guaranteed. It was kind of funny.
I had a moment where I had reached 200,000 followers. At the time, a lot of people would get to that number on YouTube, and they'd stop growing. I was really scared because I didn't want that to happen to me, so when I reached 200,000 subscribers, I was like, 'Eva, you have to do this. You have to work hard and push past this number.'
I had jumped off the edge, and then, at the very last moment, something reached out and caught me in midair. That something is what I define as love. It is the one thing that can stop a man from falling, powerful enough to negate the laws of gravity.
You can't control what goes on around you, you can't. But for me, I think there's staples of these moments, that crazy moment where you think you're indestructible. That moment where you find out that you're not. And then that moment where all of a sudden you go, okay, I'm not indestructible but I'm gonna be okay. You have this life, and we all have these lives we live but it takes a bit of learning before you realize not every drama's going to kill you and not every hard day has to lead to another one.
I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
People's sexuality is often defined by who we're partnered with at any given moment, which can be a frustrating limitation for me. I've had countless tiny 'coming out' moments in my life, often simply to explain to someone else that they have misjudged my sexuality based on who they saw me dating.
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