A Quote by Kim Young-ha

When I wrote 'Your Republic Is Calling You,' it was Franz Kafka's writing that I had most in mind, and James Joyce's 'Ulysses.' Entirely out of the blue, Kafka's characters receive an order to go somewhere, and when they try to comply, they never quite manage it. Ki-yong in 'Your Republic Is Calling You' is precisely that sort of character.
It's impossible to read a distinctive stylist like Faulkner, Joyce, Kafka, Mann, Woolf, James - and many more - without wanting to write, however entirely different one's writing will be.
Franz Kafka once said that happiness consists in having an ideal and not progressing towards it. If you did progress towards it, you'd be unhappy because you'd never be able to reach it. You can incrementally improve your life, but you never quite experience the glamour. You never quite get to your utopia, or whatever it is. And once you realize that you can be quite Buddhist about it, and say, "Well, okay, I'm just going to keep detached from it all."
Franz Kafka is a huge influence, more than the Grimms. To allow yourself to get into the coal bucket and fly to the sky ... we learned that from Kafka, that you can have a thought and make a body of it in this way.
Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system.
Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. 'The necessary condition for an image is sight,'Janouch told Kafka; and Kafka smiled and replied: 'We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.
I guess I will say, going back to the Judaism questions, there are mental reflexes or patterns that I think of as Jewish in my own feelings about mysticism and theology.Franz Kafka is someone I very much revere. If I believed in holy texts I'd go to him as a touchstone. Not that I read Kafka all the time at this point. In a way, this is what I most want to talk about and it's the hardest to talk about.
A novelist who ranks with Proust , Kafka , Musil and his friend James Joyce as one of the enduring pillars of Modernism.
If Franz Kafka were alive today he'd be writing about customer service.
I don't think anybody says to Coetzee or Dostoyevsky or Kafka, "Your characters aren't likeable." It's not about your character winning a popularity contest. That's not the writer's job.
I was first introduced to Kafka's writing during my compulsory army-service basic training. During that period, Kafka's fiction felt hyperrealistic.
Calling has this weight that somehow we think that your calling is fixed. That your calling is this line that you’ve finally found and now you're on that track and that’s what you’re gonna do forever and maybe that's the case. But I feel like calling has much more to to do with the moment that you’re in.
All of us are citizens in a republic much larger than the Republic of America. It is the Republic of Letters, a realm of the mind that extends everywhere, without police, national boundaries, or disciplinary frontiers.
The moment Kafka attracts more attenetion than Joseph K., Kafka's posthumous death begins.
Franz Kafka is an idea person. His books begin and end in ideas. Ideas have always been important to me in my writing. To the point that I have to be careful that they don't take over.
It is said Somerset Maugham traveled the world with a notebook to learn the essence of life and Kafka sat in a room for the same objective. Yet Kafka came out with a better world-view.
In Guinea I could read [Franz] Kafka. I re-discover in him my own discomfort.
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