A Quote by Kirk Douglas
All my life, I have taken inventory at intervals. For example, when I became a movie actor and suddenly I had to deal with fame, money and playing so many roles, I lost myself. I said, 'Who am I?' And I wrote my first book to deal with that, 'The Ragman's Son.'
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The biggest mistake entrepreneurs can make is trying to do everything themselves. They usually blow up when they try. I did an inventory of every deal I've ever done and it turned out that every single deal I made money on was a partnership, and every colossal failure, where I lost millions, was something I tried to do by myself.
To be an actor you need various things. You need to have a head for choosing the roles. You have to be, hopefully, easy to work with so people enjoy working with you. You have to deal with missing roles, with not being asked to work, with doing good work and then being castigated by the critics for it. You have to have a skin that can deal with all of that. I, fortunately, seem to have the makeup which allows me to deal with the business. I mean, not as everybody.
I certainly don't think of my life as a fairy tale. I think of myself as a modern, contemporary woman who has had to deal with all kinds of problems that many women today have to deal with.
I was trained to be an actor, not a star. I was trained to play roles, not to deal with fame and agents and lawyers and the press.
Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
When I sold my first book, 'A Conspiracy of Tall Men,' it was part of a two-book deal. It wasn't hugely lucrative, but it was enough money for me to quit the paralegal job I had in San Francisco.
Stephen King told me a long time ago, when he gave me some advice about the movies. He said to take the money up front and expect it to be something different than the book and if you don't like that don't deal with Hollywood. But if you take the money, shut up and don't criticize the film because you sold it. The movie doesn't change a word of the book.
I believe in preparation. As you already know we had to deal with many crews, 2 cameras. Also as I said we had to get many different actors because they tried to tamper with the project. I just liked doing the movie how I envisioned it. I wanted it to be my own.
I don't need the money after 11 years on 'Frasier,' and there aren't that many great roles onstage left for somebody my age. I'm more interested in playing those roles than I am in playing bit parts in movies.
I wrote my first sucio story, as I call them, in 1997. This was always my 'cheater's book,' my book about sucios desgraciados. My plan was to write a book about how people deal with love and loss.
I just felt like I couldn't deal with the everyday responsibilities of life, paying bills and all of that. I'm terrible at all of that. So I knew I had to make enough money to pay someone else to deal with all of that.
I think every actor injects some of his own personality into his parts. There's a great deal of myself in McCoy, a great deal of Bill in Kirk, and a great deal of Leonard in Spock!
Every actor has to deal with what's on his plate, and I try to deal with doing the best work possible with the most challenging scripts. I don't base it on whether it's a feature film or a TV-movie or cable.
I have a son, and my son has autism. There's certain things that I deal with that a lot of people don't deal with.
People think I must have been turning cartwheels on the night I sealed the movie deal - which was only two days after sealing the book deal - but I was really quite terrified.
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