A Quote by Kirk Hammett
I think the whole concept behind lyrics is you better mean what you say, or you should like, become a storyteller. I mean, there's a lot of bands who are just storytellers, and then there are bands who actually have something valid to say. And the bands who have valid points are few and far between.
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I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
I do love dance music. I love Daft Punk. I mean, I was a child in the '80s, so bands like the Eurythmics and just so many great '80s bands were dance bands, but they had the whole soul thing happening, too.
I like to say that I do covers of my own songs. And I have about a dozen bands all over the world. That's no exaggeration. I have a South African band, an Australian band, Swedish bands, English bands, American bands. They're all notable musicians, too.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
Well that's probably what'll end up happening: a load of really good musicians who can't afford to be in bands, who have to have day jobs, you know what I mean? And then that's when you start losing a lot of the live touring bands.
I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.
Bands can become absolutely huge and actually be pretty terrible musicians, and bands can be the most amazing songwriters and musicians in the world and never play for more than 10 people. With that in mind, getting successful doesn't mean anything.
I spent thousands of thousands of hours playing the piano, and by thousands of hours, I mean playing in cover bands or wedding bands or disco bands or original bands or playing cabaret for Todd McKenney.
People think this is a competition between bands, when the reality is the more successful bands the better.
I think that the oversaturation of music market right now will eventually start taking care of itself, where some bands are like, "We just don't want to do it anymore," and other bands say, "Things just keep getting better." It just depends on where you bring your joy out of it. We're lucky because we are happiest when we're onstage.
I first started going to shows when I was about 16 - seeing local bands. I mean, I loved music before that, and I played a bit of guitar when I was younger and thought maybe I'd become a guitar teacher or something, but when I saw other kids doing it, I was like, 'Whoa, these are great bands! I can do it, too.'
I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.
I really like LIMP BIZKIT. I mean, I've said it for years - I don't know if anyone actually hears it - but I think LIMP BIZKIT are an awesome band. In terms of the rap-rock bands, or ANY bands out there, I think they really are truly among the best.
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