A Quote by Kirsten Gillibrand

Show me a supposedly 'unfixable' problem in Washington, and I'll show you the political corruption standing in the way. — © Kirsten Gillibrand
Show me a supposedly 'unfixable' problem in Washington, and I'll show you the political corruption standing in the way.
There's really a fundamental political corruption problem that put Washington completely out of touch with the people.
Think about Kennedy. Think about Carter. Think about Clinton. Think about Obama. They've all been in their forties and from outside Washington, or underdogs in one way or another. I just think that Americans are looking everywhere, saying, 'Hey, show me some authenticity. Show me somebody who's practical. Show me people who run things.'
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
You show me a polluter, I'll show you a subsidy. I'll show you a fat cat using political clout to escape the discipline of the free market and force the public to pay his production costs.
I feel so lucky to have the opportunity to make the show, and that it is in alignment with what I'm interested in, with what I read about. For me, it just felt like an organic step - of course, I'm thinking I want a show that allows for more representation for the community and shows the struggles people face, especially when we're hearing all this political rhetoric - to have a way to show how much this affects people lives.
When I come offstage, if I've done a bad show or had a bad night, the fact that everybody was standing at the end or three or four times during the show means nothing to me. I know I could have done a better show.
My show in Egypt was called, 'The Show,' or, 'Al Bernameg' in Arabic. Basically, it was a political satire show. It started on Internet by three, four-minute episodes, and then it evolved into a live show in a theater, which was something that was unprecedented in the Arab world.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.
Show me thy feet, show me thy legs, thy thighs Show me those fleshy principalities; Show me that hill where smiling love doth sit, Having a living fountain under it; Show me thy waist, then let me there withal, By the ascension of thy lawn, see all.
I love science. I hate supposition, superstition, exaggeration and falsified data. Show me the research, show me the results, show me the conclusions - and then show me some qualified peer reviews of all that.
It's our approach to treat each show like an arena show. We over-invest in production to make the stage look bigger, turning the show into an experience and not just somebody standing around with a microphone rapping.
What I see in Washington reminds me of what I saw in Montgomery when I was first elected Alabama's Attorney General. In Montgomery, corruption was the problem, so I assembled the finest public corruption prosecution team in the country. Their work wasn't always popular with the mainstream media or the local politicians. We didn't let that stop us.
Show me the prison, Show me the jail, Show me the prisoner whose life has gone stale. And I'll show you a young man with so many reasons why And there, but for fortune, go you or I.
What I'm very upset about is the attempt to dictate to museums what they show, and the statements made by politicians in Washington that have curtailed the freedom of the National Endowment for the Arts. The attention to those issues is deflected by the spin of my supposedly having trivialized the Holocaust.
Take corruption, right? Take political corruption. Europe, the Anglosphere, northern Europe, has been kind of a miracle zone - and I'm not saying there's no corruption, of course - but in being somehow able to minimize political corruption.
Obviously, the 'Glow' show is a real feminist story. I knew it would be about female empowerment, and that was really exciting to me. Having some distance on a period show, I think you can really delve into those kinds of political topics in an in-depth way, and a lot of that reverberates today.
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