A Quote by Keith Jarrett

I realized that improvisers should probably always have time off. But musicians are always gigging and never have a chance to stop for a minute - unless something drastic occurs.
Musicians are always gigging and never have a chance to stop for a minute.
I always say the minute I stop making mistakes is the minute I stop learning and I've definitely learned a lot.
All I claimed was that when a drastic change occurs, it occurs in a relatively small and isolated population.
I've always believed that you should never, ever give up and you should always keep fighting even when there's only a slightest chance.
And I always actually say, 'The Voice' isn't just about trying to find a superstar. We also give a platform to gigging musicians and people who do what they do, and expose them to so many other people to enhance what they do.
To be fearless is to be reckless. I think you need a certain level of fear because you need to respect the danger and the minute you stop sensing fear, that's the minute you stop respecting the danger, and that's when things can happen. Obviously, you can't panic. It can't be overwhelming. It can't be paralyzing. You always need to have that pit in your stomach. You always need to have that awareness about you.
Above all, it's never blind chance: it's a chance that is always planned, but also always surprising. And I need it in order to carry on, in order to eradicate my mistakes, to destroy what I've worked out wrong, to introduce something different and disruptive. I'm often astonished to find how much better chance is than I am.
We must never violate principles. We must never initiate violence. And we should never harm the innocent. But at some point, unless governments back off, we have to stop being nice.
I was always taught at medical school that you should never do a test unless you could do something with the result.
I never wanted to churn it out. Comedians tend to work all the time. They never put it down like musicians who might make an album then take three or four years off to recharge their batteries. Comedians tend to work straight through and they get stale because of that. Even when I didn't have a lot of money I never ever did it unless I had something new to say.
Every time France has the chance of doing something big in the world of sport, it always carries it off well.
Criticism is always hard to take - we musicians are sensitive. It's always hard when someone says something negative - but you try to learn to just let it roll off and not worry about it.
I was always telling myself I could handle a more complex role, I could handle something bigger and more interesting than the work I was doing. But I wasn't demanding that of myself. At a certain point, I realized it was never going to come my way unless I started taking more control of it. That's what I realized I had to do.
I'm always in awe of improvisers that make something out of complete nothing.
I always have a feeling you should move the playing field and the minute you know what you're doing, you're wrong. Therefore, I wanted us not to try to follow Spamalot immediately, but to do something different. This is perfect because it uses all the same skills, like story telling and lyric writing and music writing, but it's presenting it in a different form. And of course it gives me and John a nice chance to perform and show off which is also fun.
If life is a journey, time should pull over at a rest stop sometimes - we should all be given a chance to get off and stretch our legs, collect our thoughts and reorganize.
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