A Quote by Keith Richards
You didn't know whether Chuck Berry was black or white - it was not a concern.
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We would not have rock and roll without Chuck Berry, and when I first heard Chuck Berry, I fell in love with that music, and when I saw him, I changed my whole career trajectory that I was on as a kid.
Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
There would be no Rock and Roll without Ike Turner, James Brown, Chuck Berry, Fats Domino, Allen Toussaint, etc. Fake ghetto books and fake ghetto music. Elvis Presley, whom they idol, is merely a karaoke makeover of James Brown and Chuck Berry.
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
There was a time in America not long ago when rock 'n' roll was called race music, and white kids who wanted to go see Chuck Berry were completely forbidden.
The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
If you're going to do Chuck Berry, you got to, you know, go all out, and the duck walk is just kind of you know, cursory. That's like standing.
Buddy Holly had something very different from the other great early rock n' roll stars, whether it was Chuck Berry, Elvis Presley, Little Richard, Bo Diddley. He came across as so ordinary, as such a nerd. You know, he was a big guy, and he carried a gun. He was anything but a nerd.
Back then, I, most rockers loved Chuck Berry, Little Richard, Jerry Lee Lewis... you know in the '60s.
Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.
Feminists must denounce the use of white insecurity - whether in relation to white womanhood, white neighborhoods, white politics, or white wealth - to justify the brutal assaults against black people of all genders.
Never mind what you've heard. Halle Berry was not the first black woman to win an Academy Award for Best Actress. She was actually the 74th white one. And never mind all this talk about America electing its first black President; Barack Obama is actually the 44th white man to hold the job.
As a kid, I loved any guitarists, whether it was Elvis Presley, Lonnie Donegan, Chuck Berry or even the cowboy guitarists like Gene Autry and Roy Rogers. The image of the guitar appealed to me.
I learned [playing Chuck Berry] that there's something to be said for the courage of conviction, that sense of belief, being bold enough to believe in your vision. And there's a quote that really fits his particular energy. It says - they say don't go where the path may lead, but go where there's no path and leave a trail. I think that's exactly what Chuck did, you know. It's an inspiration to a lot of folks, not just musicians, but people everywhere.
It's kinda like Hulk Hogan whereas any time Hogan walks into a room, he's got that distinctive look. Everybody, whether you're a wrestling fan or not, you know who he is. Chuck has that same thing. Whether you're an MMA fan or not, he'll walk into a room and everyone goes, 'Oh, that's Chuck Liddell.'
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