A Quote by Kitty Carlisle

My mother thought Hollywood was a den of iniquity, and people came to terrible bad ends there. — © Kitty Carlisle
My mother thought Hollywood was a den of iniquity, and people came to terrible bad ends there.
I've always wanted to be psychoanalyzed in a den of iniquity.
And now, Anubis, I find you in this den of iniquity, this morass of questionable behavior, this...this--' 'School?
I've had terrible, terrible, terrible shows where I just thought, "That was off-key" or I forgot lines or I thought I looked like an idiot, and then you're leaving and talking to people, and they're like, "I had the best time of my life! That was amazing!" You just never know.
I surround myself with loyalists and people that I would die for. I just would rather die than make bad stuff for people because I'm a terrible dishwasher and a terrible lover and a terrible pet owner.
... although many people say it is a terrible onus to be labeled bad as a child, I thought that the opposite must be worse: If you knew early that you had wickedness in you, you could learn to accept it, if not to wrestle against it. But if you believed that you were essentially good, then when you finally found the ocean of evil in yourself, surely it would come as a terrible shock.
Later, my father died up in Marysville. So, my mother and I got in the car and came down to Hollywood.
I never wanted to be an actor. I only came to Hollywood to drive my mother out to visit my grandmother.
Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.
My son was about five or six months old, and he was ill, and I was sent to New York to interview three people back to back. I got home, and I saw my baby. He had been very ill, and he was on three kinds of antibiotics. I'd been away for eight days. I looked at him and thought, 'What am I doing? I'm a terrible mother and a terrible journalist.'
When I need guidance or just to kvetch or to bounce ideas off of people, I go to Gail Simone, who is very much kind of the den mother of all of us who are working comics.
How do you fall into a lion's den, that is my first question there, you think you would be extra carefull around a den of lions.
You know, a few months ago, I made a terrible mistake. I realized something, and instead of crushing the thought the moment it came I... I let it hang on, and now I know it to be true. And I'm afraid it's stuck in my head forever. These are the best days of our lives. It's a terrible thing to know, but I know it.
I didn't come to Hollywood. Hollywood came to me. A lot of people wish they could say the things I say. Everyone out here is so phony, it's sickening.
I always feel bad when people ask me questions. I always felt that I was a terrible interview because I don't have any problems with anyone, and I don't have a terrible past. Or I don't have any terrible problems to talk about that would make interesting articles.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude. But with action came anxiety, and the sense of insuperable effort made to match the dream, and with it came weariness, discouragement, and the flight into solitude again. And then in solitude, in the opium den of remembrance, the possibility of pleasure again.
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