A Quote by Clive Barker

'Underworld' was my first filmed book. I think there are about seven of my lines in it. — © Clive Barker
'Underworld' was my first filmed book. I think there are about seven of my lines in it.
Mr. Fresh looked up. "The book says if we don't do our jobs everything could go dark, become like the Underworld. I don't know what the Underworld is like, Mr. Asher, but I've caught some of the road show from there a couple of times, and I'm not interested in finding out. How 'bout you?" "Maybe it's Oakland," Charlie said. "What's Oakland?" "The Underworld." "Oakland is not the Underworld!" "The Tenderloin?" Charlie suggested.
Not long after watching 'The Passenger,' I wrote the first lines of 'The Isle of Youth,' which concerns twin sisters who swap identities and become ensnared in the Miami underworld.
Seven years ago, in my first semester at college, the professors handed out MacBook Pros. With mine, I filmed a seven-minute tutorial on 'natural makeup' - just me, my laptop, and a cup of coffee. When, a week later, it clocked 40,000 Web views, I knew people were connecting with it, so I kept going. That moment changed my life.
About seven years later I was given a book about the periodic table of the elements. For the first time I saw the elegance of scientific theory and its predictive power.
I just focus on getting the first scene right, with a few lines about the overall plot, and then the book grows organically.
Someday I want to go back and maybe write another book on those seven sayings. I just think they are kind of like a table of contents to the Christian hope. They invite us to go into all the aspects of the heart of Jesus. Everything about them from the drama, the setting, the passion around them - I think the seven sayings of the cross are powerful.
I think acting, oftentimes it's not about lines, it's about spaces in between lines and expressions on people's faces and their relationships. You can tell your own story, or a story that you're interested in, even if the lines don't necessarily point you in that direction.
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
I came to America when I was seven and a half in 91. I think the first full length book in English that I read was Return to Oz when I was nine years old.
I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
The success [of the X-Men], I think, is for two reasons. The first is that, creatively, the book was close to perfect ... but the other reason is that it was a book about being different in a culture where, for the first time in the West, being different wasn't just accepted, but was also fashionable. I don't think it's a coincidence that gay rights, black rights, the empowerment of women and political correctness all happened over those twenty years and a book about outsiders trying to be accepted was almost the poster-boy for this era in American culture.
I have made only two films on the underworld. I am not educating the people on the underworld.
I filmed seven movies in 2011 and I think that was a mistake. I pushed myself too hard and I want to be able to come to work each day and give 100 percent. I guess I found out what my boundaries are.
While writing, I'm always so happy in the middle of a book or finishing a book and really hate starting them, so I often think, 'I wish I had a really big book to write to which I could devote seven years of my life.'
I've worked with Len Wiseman before, on the 'Underworld' series, in which I was a vampire. The first two of those were his first two films. And I admire him beyond measure. I think he's tremendous, as a man and as a director.
I filmed 'Water Lilies' in Cergy-Pointoise, a middle-class suburb about 20 km outside Paris. It's where I grew up and where Eric Rohmer filmed 'My Girlfriend's Boyfriend' in 1986.
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