A Quote by Marla Maples

I've always modeled myself after Ginger. — © Marla Maples
I've always modeled myself after Ginger.
Have you noticed that bones are always modeled and not carved, that you always have the impression they come from a mold, that they were first modeled in clay? Any bone you look at, you always find fingerprints on it.
When I was a little kid I always wanted to be ginger. My best friend was ginger and he was pretty cool.
If I modeled myself after anybody, it probably would have been Richard Pryor.
I always have a beard between jobs. I just let it grow until they pay me to shave it. People are quite surprised it's ginger. Sometimes they ask me if dye my hair and I always say 'Wow, no!' I'm 'trans-ginger.'
Only a ginger, can call another ginger Ginger.
Certainly early on, I kind of modeled myself after Steve Martin and Bill Murray. I would imitate them sometimes.
I don't think I ever modeled myself after a singer. I've more or less copied the styles of horn-tooters right from the start.
I have always been business minded, always been sorta an entrepreneurial guy; I played a character on Felicity that was modeled after me, actually.
Trouble is, I'm not a real ginger. I'm just a ginger-bearded, pale-skinned, strawberry blond.
I modeled myself after Deborah Kerr for her romantic, untouched quality; Ingrid Bergman for her strength; and Kay Kendall for her wonderful sense of humor.
I always modeled my game after the guys from Miami. Chad Ochocinco, Santana Moss, Andre Johnson. I used to love Roscoe Parrish as a returner.
If there is hell, it was modeled after junior high school.
I never really modeled my game after anybody.
We Chinese use a lot of ginger and green onions to flavor dishes but not to overpower them. Westerners have this misconception that we eat the ginger and green onion, but we leave those on the plate.
I've modeled my game after Kevin Garnett and Tim Duncan.
I very comprehensively studied Irving Thalberg and his biographies. He's who [Scott] Fitzgerald roughly modeled the character after. He worked for him, as a writer, when he was at MGM. And, of course, I revisited the novel and the politics of MGM and the studio system at the time and familiarized myself with the world. There was a great deal of physical and literary work that went into it.
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