A Quote by Clint Dempsey

The Cottage was one of my favourite stadiums to play in. It was such an intimate atmosphere, and I've just got so many great memories of playing there. — © Clint Dempsey
The Cottage was one of my favourite stadiums to play in. It was such an intimate atmosphere, and I've just got so many great memories of playing there.
It would be great to play in England. The atmosphere in the stadiums is incredible.
Football stadiums are just a reflection of what is going on in society. Many times in stadiums, people just feel more relaxed and say what they think when they're somewhere else.
The Hawthorns has a good atmosphere, like many of the Premier League stadiums.
Travelling to different countries is a goal. I wouldn't mind playing huge places if we got an opportunity to, but it's nice to play small places too. Fish was saying yesterday that he doesn't ever want to play stadiums, or maybe he would once, he said.
It's a dream for every football player to play in the Premier League; the atmosphere, the stadiums are always full.
Favourite stadium? I have good memories of my CL debut at Old Trafford, spectacular atmosphere. The Theatre of Dreams, as they say.
If you've got the best record, you're going to be the favourite. So you've got to play as the favourite with a bullseye on your back.
I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.
I have so many great friends, so many great memories, so many great pictures, so many great songs, so many great relationships with people. I definitely feel, for the last 15 years, that I spent my time very wisely. And that's a great thing to be able to look back at.
Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.
I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.
One of the advantages of playing in a club is that even with bass and drums, the atmosphere remains intimate with the audience.
The Premier League is one of the best in the world, without a doubt. The stadiums are always full, and the atmosphere is incredible, but not every footballer is able to play in England. The character can be difficult for a foreigner.
I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.
We've got a great bench of songs, and the people have a really good time at our Stereophonics's shows. People are the same all over the world. If we can play football stadiums and arenas in one country, there's no reason we can't play them in another country. People are people.
Of course, thanks to the house, a great many of our memories are housed, and if the house is a bit elaborate, if it has a cellar and a garret, nooks and corridors, our memories have refuges that are all the more clearly delineated. All our lives we come back to them in our daydreams. A psychoanalyst should, therefore, turn his attention to this simple localization of our memories. I should like to give the name of topoanalysis to this auxiliary of pyschoanalysis. Topoanalysis, then would be the systematic psychological study of the sites of our intimate lives.
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