A Quote by Clint Eastwood
There are so many parallels in society today [with era of J. Edgar Hoover ] that you can use, whether it's the head of a studio or the head of an organization, a major newspaper, a major factory or company, of people who stay too long, maybe, and overstay their usefulness.
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I spent the first forty years of my life making major interventions into other people's lives, and I have an idea of the limitations of that method. I see a major event as rather like major surgery. It is a moment, but whether people use it, whether people go with it, needs to be seen.
My role models were Amelia Earhart and Eleanor Roosevelt, and my major crush was J. Edgar Hoover.
We need women who are at the head of a boardroom, like at the head of the White House, at the head of kind of major scientific enterprises so that little girls everywhere can then think, you know what? I can do that, I want to do that, I will do that.
I think this is one of the major challenges that we face in the U.S. The major incidents in the U.S. have not conformed to our stereotype of an established terror organization attacking a major iconic landmark.
My father was the first black Secret Service agent. He wanted to get into the FBI but J. Edgar Hoover, who was the head of the FBI, was a racist and he said we don't want any black people.
It's an incredible education [for the movie J. Edgar Hoover] . It was like I did a college course on J. Edgar Hoover but not knowing and understanding the history and reading the books, but understanding what motivated this man was the most fascinating part of the research.
I grew up with J. Edgar Hoover. He was the G-man, a hero to everybody, and the Federal Bureau of Investigation was the big, feared organization. He was ahead of his time as far as building up forensic evidence and fingerprinting. But he took down a lot of innocent people, too.
I'm even stunned at some of the majors you can get in college these days. Like you can major in the mating habits of the Australian rabbit bat, major in leisure studies... Okay, get a journalism major. Okay, education major, journalism major. Right. Philosophy major, right. Archeology major. I don't know, whatever it is. Major in ballroom dance, of course. It doesn't replace work. How about a major in film studies? How about a major in black studies? How about a major in women studies? How about a major in home ec? Oops, sorry! No such thing.
One major should not get you into the Hall of Fame - maybe one major and 40 wins. I'm not gonna pick a guy with one major and 11 wins.
John F. Kennedy, who seized the White House from Richard Nixon in a frenzied campaign that turned a whole generation of young Americans into political junkies, got shot in the head for his efforts, murdered in Dallas by some hapless geek named Oswald who worked for either Castro, the mob, Jimmy Hoffa, the CIA, his dominatrix landlady or the odious, degenerate FBI chief J. Edgar Hoover. The list is long and crazy - maybe Marilyn Monroe's first husband fired those shots from the grassy knoll. Who knows?
One of the amazing things about the Internet is that the content creators are the gatekeepers. We can think of an idea and execute it quickly, and we didn't have to pitch the idea to a major network or convince a studio head to sign-off on the concept.
Too many kids today are playing major league ball and don't belong there.
It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.
I'm not a fan of taking too long in the studio. I always do one vocal take and jump out of the control room, and people push me back in... It's a real turn-off to hear things that are too polished. I feel like I've almost fought for the right to be that kind of musician - we used to be on a major label, and now we're on an indie.
My two major faults are that I row too long and pick up too many women
I've been on a major label for 14 years. I've always wanted as many people as possible to hear my music, and it definitely made sense for the majority of my career to be on a major label, on a distribution level, to be in people's faces and be out there, and have access to major labels' incredible machine, even though they have not understood or haven't been invested in what I was doing.
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