A Quote by Cliff Chiang
Wonder Woman feels like she's been put on a pedestal for so long, and it's hard to write that character because they're perfect and they can't do anything wrong.
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I've been a fan of 'Wonder Woman' as long as I remember knowing who Wonder Woman was. And being able to draw or write 'Wonder Woman' would be amazing.
Nora leaves her husband, not-as the stupid critic would have it-because she is tired of her responsibilities or feels the need of woman's rights, but because she has come to know that for eight years she had lived with a stranger and borne him children. Can there be anything more humiliating, more degrading than a life-long proximity between two strangers? No need for the woman to know anything of the man, save his income. As to the knowledge of the woman-what is there to know except that she has a pleasing appearance?
I object to the hypersexualization of all the superheroines. Most of them have been hypersexualized, but especially to Wonder Woman, because she is an icon. She is up there with Superman and Batman. And she is the one who is the big influence on women. Women who don't read comics still know who Wonder Woman is.
I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.
A woman can do anything she wants as long as she doesn't do anything she wants! She can go anywhere she likes as long as she stays put!
Woman must be put back in her place. Man’s great error was to put woman on a pedestal, when she is far more at ease on her knees – where she belongs. … Woman must be reacquainted with truth and force. She must be reacquainted with truth through force. … She must be shown in no uncertain terms the absolute nature of the master/slave relationship endemic to the sexes.
It's like there's something very maternal about Wonder Woman: when push comes to shove, if nobody else wants to do it, Wonder Woman would step up and take care of business. But she doesn't want to do it, and she would never take any delight in it. That's Wonder Woman to me.
An interesting question that has been recurring is that she appears to have been this delicate woman in all these films, but really she was a woman of substance wasn't she? And I say yes, you don't get to be Audrey Hepburn if you are a sort of 'babe in the woods.' It takes a lot of character, a lot of vision, good boundaries and hard work.
Listen to these wounds of pain put in the form of questions to me by a young woman who had had two abortions: "I wonder about the spirits of those I had aborted, if they were there, if they were hurt? I was under three months each time, but a mother feels life before she feels movement." "I wonder if they are lost and alone?" "I wonder if they will ever have a body?" "I wonder if I will ever have a chance again to bring those spirits back as mine?" Alas, brothers and sisters, "wickedness never was happiness" (Alma 41:10).
The Wonder Woman that you see in 'Batman v Superman' is a woman who has been around, and she's very experienced. She understands a lot about man. Whereas, in the standalone movie, we are telling the grown-up story, Diana becoming Wonder Woman, and this was a story that was never told before.
Oftentimes in films, the female character, if she's not the protagonist - and often, even if she is - feels like an imitation of what a woman is.
We're really delving into so many stories that are comic book based, so I like that we have a woman as part of that production. We haven't really explored that too much. Wonder Woman has had so many different connotations over the years because she's so beloved as a character, and it's been interesting to see how she's evolved - to see how her outfits have changed, and going from having her invisible plane to starting to fly herself, and sort of be on par with the physical attributes of Superman.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
Hillary's never been anything but the Smartest Woman in the World. I've talked about this I don't know how many times. I know Republicans and conservatives scared to death of this woman, scared to death. And it isn't because they think she's not sophisticated. It isn't because they think she's stupid. But she gets into trouble enough or she fails enough, like when she does poorly in a primary, what do they chalk it up to? Sexism, like Don Lemon did. Sexism.
Most people assume that a muse is a creature of perfect beauty, poise and grace. Like the creatures from Greek mythology. They're wrong. In fact, there should be a marked absence of perfection in a muse--a gaping hole between what she is and what she might be. The ideal muse is a woman whose rough edges and contradictions drive you to fill in the blanks of her character. She is the irritant to your creativity. A remarkable possibility, waiting to be formed.
I find Jessica Jones a much more interesting character to write for than Wonder Woman. Wonder Woman is so noble and heroic, and I don't find that as interesting as one who's really damaged and flawed and has post-traumatic stress disorder.
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