A Quote by Claire Danes
I hadn't been free from adult responsibilities since I was 12, and I needed to experience that. I really needed to just be a kid again.
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You’re crowding me. I need— room.”... What I needed were boundaries. I needed willpower. I needed to be caged up, since yet again I was proving I couldn’t be trusted in Patch’s presence. I should have been bolting for the door, and yet … I wasn’t.
I think I subconsciously knew you needed life experience to direct, and the best films are directed by people who have really lived, with exceptions like Orson Welles, who just burst out of the gate. There are prodigies like that, but for me, personally, I thought I needed life experience.
I wanted to make the brand cool again. I needed to make it a little smaller to make it bigger and I needed to change the consumer experience.
The mindset that is needed, the capabilities that are needed, the metrics that are needed, the whole culture that is needed for discontinuous innovation, are fundamentally different.
I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.
Major labels have always been around our band since the beginning, and we just waited. We knew we had to do some things, and we needed to grow as a band before we made that step. We needed to do it our way and not do it how it works for other people.
No armies are needed, no weapons are needed, no nations are needed, no religions are needed. All that is needed is a little meditativeness, a little silence, a little love, a little more humanity... just a little more, and existence will become fragrant with something so totally unique and new that you will have to find a new category for it.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
I was once that kid that needed a donation - that needed help to go to camp because my mom wasn't able to pay for it.
When you become an adult you just make that transition and you're right... it's fun and exciting to be an adult and exciting to have independence, but once you're out from under the cover of your family's protection and love, you sort of have to take a step back and come to terms with the fact that you won't really ever have that again in the same way. You'll never be a kid again.
In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.
I had been working my first record really hard and toured the heck out of it. I didn't have anything to write about so touring with The Decemberists was what I needed. I could work and take in the world again. You're just the side man and don't need all the info. You're also less busy than when your name is on the ticket, so I had days free to read, watch movies, and just look up.
I really wasn't convinced I even needed college. I was really miserable for awhile. But before school, coach Chesbro talked to me. He told me I really needed college, especially since I want to be a college coach some day.
I needed to do a play. I needed to learn how to act again, in a focused, all-encompassing way, and a really challenging play is a great way to do that.
I was at that point where my children needed more than going around the planet in the back of a bus. They needed stability, they needed to build their own lives and relationships, and I needed to put my life on hold. I made my choice - I chose my children.
A real good artist is basically a grown-up kid, who never kills the kid. What we call being an adult is basically about killing the kid. People think you have to forget about the kid to become an adult and deal with grown-up problems. But, that's bullshit. We are still kids. It's the same, you just grow up. You're a kid with more experience.
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