A Quote by Claire Danes

Oliver Stone's strategy is to unnerve the actors so as to make them alert and alive. — © Claire Danes
Oliver Stone's strategy is to unnerve the actors so as to make them alert and alive.
Ultimately, what separates a winner from a loser at the grandmaster level is the willingness to do the unthinkable. A brilliant strategy is, certainly, a matter of intelligence, but intelligence without audaciousness is not enough. Given the opportunity, I must have the guts to explode the game, to upend my opponent's thinking and, in so doing, unnerve him. So it is in business: One does not succeed by sticking to convention. When your opponent can easily anticipate every move you make, your strategy deteriorates and becomes commoditized.
When I make a new movie, I always get stuck with, "That's not an Oliver Stone film." But I don't know what to do about that except just move on.
Artists, whether they're Tom Cruise or John Waters or Ron Howard or Oliver Stone, you can empower them to become a better version of themselves, but you cannot change them 180 degrees to be someone they are not.
One of the things that sets Oliver Stone apart though is he is commercial. He is mainstream. He makes big movies and he is one of the last guys that can make big movies that actually have something to say, that you know challenge the audience in a way while entertaining them.
The smart strategist allows strategy to be shaped by events. Good reactions can make great strategy. Strategy involves competition of goals, and the risk is the difference between those goals and the ability of the organization to achieve them. So part of the risk is created by the strategy.
When Oliver Stone and Woody Allen came forward to express sympathy for Mr. Weinstein, everybody rolled their eyes at them, too.
Maybe Oliver Stone doesn't lend himself well to remakes or sequels, because he does them so well the first time.
I was very happy to learn Oliver Stone had decided to make a film about Edward Snowden and believe this is a powerful and inspiring film.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
Oliver Stone. Is that not enough?
It was a challenge, to work with Oliver Stone.
I spin around on the swivel chair and look up at the ceiling; Oliver being Oliver being Oliver being Oliver. I am suddenly aware of the separation between my-actual-self and myself-as-seen-by-others. Who would win in an arm wrestle? Who is better-looking? Who has the higher IQ?
Acting keeps me alert to people, and life. I don't know, there's something about going to work early in the morning, and having to stay alert and concentrated. Maybe that keeps your mind alive.
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
Tupac Shakur is something that, of course I want to make the Tupac movie, I love Tupac, but when that movie was announced, we didn't even have a script yet. It was just being written. People announce things too soon. If you go to any filmmaker - Clint Eastwood, Oliver Stone, Martin Scorsese, Ben Affleck, Michael Mann - you go in their offices and there are scripts everywhere and there's about four or five of them you really want to make.
Sometimes I ask myself what would I be if Jenny were alive. And then I answer : I would also be alive." - Oliver.
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