A Quote by Claire Coffee
'The West Wing' was really important for me for a lot of reasons. It was the first thing I did when I got out to Los Angeles. I'd just finished school, and I was so naive.
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I think the best thing I ever did was, years before I got the 'Late Night' show, when I first got out to Los Angeles to be a television writer, the first thing I did was I signed up to take improvisational classes... And I studied that for years, and I really loved it.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
I finished my junior year of high school and flew out to Los Angeles. I didn't know the difference between a manager and an agent. But I got here and just started hustling and meeting anyone I could.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
When I first moved to Los Angeles I came down there on a wing and a prayer in a way. I had about six weeks worth of money to make it there and that was just from doing a couple of episodes of the X-Files just to finance that trip. I got there and it is either you got to hit it or you got to go and, thankfully, I found a job.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.
First, let me just say that I flew in from Los Angeles last evening. And the plane was absolutely filled with women who were coming from the Greater Los Angeles area to be here. And it wasn't that they were necessarily organized in some particular group. Individual women that I talked to - I said, well, who are you with? They said I'm not with anybody. I just decided I couldn't stay home. I just got up, and I came [to the Women's March].
I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I started out a die-hard New Yorker but really grew to love working in Los Angeles. Even though I originally wanted to do theater, TV presented more opportunities for me, which led me out west.
Los Angeles is not going to be a big naive step for me. I know it's tough out there, but I do think there's a place for Irish actors in that market.
Half of my family is in Los Angeles, so my cousin was the first person to play me, like, Snoop Dogg, and I would always feel like 'Omg I shouldn't be listening to this,' and my other cousin was the first to introduce me to Aaliyah, so every time I'd go to the West Coast, I'd get those West Coast vibes.
Half of my family is in Los Angeles, so my cousin was the first person to play me, like, Snoop Dogg, and I would always feel like, 'OMG, I shouldn't be listening to this,' and my other cousin was the first to introduce me to Aaliyah, so every time I'd go to the West Coast, I'd get those West Coast vibes.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
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