A Quote by Colin Morgan
I read 'The Crystal Cave' book by Mary Stewart, and I thought it was a really, really interesting part of the legend, in which Merlin could enter into the cave with these crystals and see reflections of the future in them and learn how to use that and harness those powers for himself.
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Because it was one of my favorites from the Arthurian legend, one of the things that I really enjoyed doing was the legend of the crystal cave. In my head, it was fun to imagine what it was going to look like because there was a lot of CGI involved, in seeing visions of the future reflected within crystals.
You know,” he said, “I wish you could see this cave.” “What’s it like?” He paused. “It’s...beautiful, really.” “Tell me.” And so Po described to Katsa what hid in the blackness of the cave; and outside, the world awaited them.
Plato described ordinary life as unthinking, lived in a dim cave of shadowy reflections, but said that it is possible to leave the cave and see things in sunlit clarity as they actually are.
We are finally living in Plato's cave, if we consider how those who were imprisoned within the cave - who could do nothing but watch those shadows passing on the back wall - were convinced that those shadows were their one and only reality. I see a profound similarity to all this in the epoch we're now living in. We no longer live simply through images: we live through images that don't even exist, which are the result not of physical projection but of pure virtuality.
Where you stumble, there lies your treasure. The very cave you are afraid to enter turns out to be the source of what you are looking for.
The damned thing in the cave that was so dreaded has become the center.
I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part. He said, “What happened then, daddy?” I said, “If you learn to read, you can find out. I'm too tired to read. I'll read to you tomorrow.” So, he had a need to want to learn how to read. Don't teach children how to read. Don't teach them mathematics. Give them a reason to want it. In school, they're working ass-backwards.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
As an artist, and for me personally, my biggest fear is categorization. I hate the idea that I would become someone who says that "this is what I do and now that's what I am." What I really feel like is an explorer. I want to continue exploring my brain cave and see what's there, you know? And I don't want to just stay in one cave.
The cave you fear to enter holds the treasure you seek. Fear of the unknown is our greatest fear. Many of us would enter a tiger's lair before we would enter a dark cave. While caution is a useful instinct, we lose many opportunities and much of the adventure of life if we fail to support the curious explorer within us.
Modern language must be older than the cave paintings and cave engravings and cave sculptures and dance steps in the soft clay in the caves in Western Europe, in the Aurignacian Period some 35,000 years ago, or earlier. I can't believe they did all those things and didn't also have a modern language.
Trump hasn't really done anything yet to abuse his powers. I don't even know if he knows what all his powers are as president. And that worries me. He will learn. After he learns how the presidency works, he could become much more dangerous, because his personality doesn't change. Once presidents find their powers, they don't give them up. They use them.
One extremely important purpose of emotions from an evolutionary perspective is to help us decide what to remember and what to forget. The cavewoman who could remember which cave had the gentle guy who gave her food is more likely to be our foremother than the cave woman who confused it with the cave that held the killer bear. The emotion of love (or something resembling it) and the emotion of fear would help secure her memories.
In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.
Tribe cats are named after the first thing their mother sees, but I thing this would lead to a lot of kits being named 'wall of cave', 'side of cave' and 'floor of cave
Honestly, the essence of publishing hasn't changed. Since the days of the cave man carving stuff on the cave walls, people have wanted stories, and storytellers have wanted an audience. That is still the case. The changes are really a matter of format.
How you're still always trapped. How your head is the cave, your eyes the cave mouth. How you live inside your head and only see what you want. How you only watch the shadows and make up your own meaning.
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