A Quote by Colin Firth
I find that at almost every press junket I get that comment, "this character's different from what you generally play..." And that's OK! But I think "generally play" stems back to Mr Darcy. I'm fine with it but I tend to find that if it's a departure, which in other people's words it always is, it's always a departure from that.
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I've always explored things that people find a bit more freakish, like free jazz, and I'd gotten to a point where the live music I was making was really hectic and turning much more confrontational. So when I started working on Everything Ecstatic, that was very normal for me. I think it was a departure, but people read it as an escape from something, whereas every record I do is, I feel, a departure.
It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
Do you dance, Mr. Darcy?" Darcy: "Not if I can help it!" Sir William: "What a charming amusement for young people this is, Mr. Darcy! There is nothing like dancing, after all. I consider it as one of the first refinements of polished societies." Mr. Darcy: "Certainly, sir; and it has the advantage also of being in vogue amongst the less polished societies of the world; every savage can dance.
Arrival in the world is really a departure and that, which we call departure, is only a return.
I'm known for playing bad guys, so this was an interesting departure from what I'm known to play, which is a softer, more likable, affable character.
No matter what I tend to be doing, generally people always think I'm crazy, first of all, because I'm always talking about things in the future that haven't happened yet, and people have a hard time believing what's gonna happen. Secondly, I'm almost always a contrarian, whatever direction everybody else is going in, I'm probably figuring out a way to go in a completely opposite direction.
I enjoy playing Mr. Darcy, but I'm not hungry to play Mark Darcy again.
I always try to find something I admire about every character I play.
Conventional people are roused to fury by departure from convention, largely because they regard such departure as a criticism of themselves.
As my wise friend Didi has more than once observed about life's passages, every departure entails an arrival elsewhere, every arrival implies a departure from afar.
If a musician dares to get out of the box he's been put in, people get confused. They want people where they can find them! I am fortunate in some respects as I've always been known as someone who 'moves around' and tries different things. But generally, we are supposed to stay where we're put.
I'll generally always get melody first and then I'll go in and try and think of a title and lyrics generally come last.
I always got on well with Roberto Mancini and never had a problem with him. Every manager has their own way of working, tactics, and style of play. As a player, you do what the manager says. There are misunderstandings, but generally, everything was fine under Mancini.
I think everything you do, characters I always find, have their own voices and once you establish who that character is you find a different voice. I think it's just a question of establishing that character and the voice speaks through that character.
When I have to play the same role every day, I have the flexibility to play the character in so many different ways. It's almost like playing five different roles.
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