A Quote by Colleen Ballinger
I travel a lot for work and have people waiting outside my hotel or call my room constantly or show up at whatever restaurant I'm eating at because I Snapchatted. It is a little terrifying.
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There's not too many people that don't think I'm crazy, for walking away from so much money. I'm at a restaurant with my wife, it's a nice restaurant, we're eating dinner. I look across the room, I say, 'You see this guy over here, across the room? He has $100 million.' And we're eating the same entree. So, OK, fine, I don't have $50 million or whatever it was, but say I have $10 million in the bank. The difference in lifestyle is miniscule.
I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?
I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.
There are definitely some nights where the show is over, and you're on the bus or a hotel room, and it's sort of a shock to go from being in the atmosphere of a club or a theater and be at your own show to being by yourself in a hotel room.
My 'go to' workout is called the Asylum from Beach Body. It's intense training with lots of intervals, core work. It's hard! I travel a lot, so I can take it on the road with me and do it in a hotel room.
When I'm not doing the show, and the work has stopped, I walk into a restaurant and I'm shy; yet, when I'm in the show, when people come up with their phones and want to take my picture, I can handle it because it's almost like I'm wearing an armour.
You couldn't get me to go travel around and sit in a hotel room again. I have no interest in doing that. So everybody's happy. I am, at 74. Some people like doing it, but I never was much for that, anyway. It's a lot of work. So the only thing I miss about all of it is the camaraderie of the tour, but that doesn't offset the rest of it.
I only ever did one hotel room because at the end of the tour, I had a little less money than the rest of the guys, and the tour manager said, 'You remember that hotel room you destroyed in Iowa? Well, we had to pay for it.' And I was like, 'Ooooh. That's how it works.'
I wonder if I love the communal act of eating so much because throughout my childhood, with four older brothers and a mom who worked in the restaurant business, I spent a lot of time fending for myself, eating alone - and recognizing how eating together made all the difference.
In England, there's a lot of people producing their own work and becoming producers and filmmakers, so they're not constantly waiting around. It can be very scarce for work, so it's important to create the work.
She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one's major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anoymous. It is not, after all, where you live.
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was - I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
I don't have a lot of stomach for people who don't show up to a set knowing their lines because you're keeping 150 people waiting.
Show your work, and when the right people show up, pay close attention to them, because they'll have a lot to show you.
You can get rid of the column. It's a little like staying at a hotel; you get used to the shape of the room, and then you're gone. With a novel you move into town and stay for a long time. That's both comforting and terrifying.
If I go on summer vacation, I'd make a funny video about it for YouTube. For Instagram I'd show the gorgeous pictures. Snapchat is for the little side moments, like the hotel room, the food. Twitter is for whatever thoughts that come to mind about the vacation.
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