A Quote by Colman Domingo
I was nervous about doing 'Scottsboro Boys' because I'm not a trained dancer, and there is a lot of very athletic dancing involved.
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I'm always very nervous about the word 'dancer' next to my name because anyone who's really trained in dance will go, 'This guy's fudging so badly.'
I was so nervous about dancing because I've always thought of myself as a terrible dancer.
I remember when I was rehearsing 'Scottsboro Boys,' I was in 'American Idiot,' so, every night, I was screaming, singing these high, belty Cs and Ds, and then, during the day, I would be doing these legato lines - I am very lucky that I have had the training that I have so that I could handle all of that.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
Within the dancing world, where we come from, there's a lot of same-sex partners as in, young girls dancing because there's not always enough boys to dance.
Apart from being a trained dancer, I love exploring new styles of dancing.
There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
Dancing is a very living art. It is essentially of the moment, although a very old art. A dancer's art is lived while he is dancing. Nothing is left of his art except the pictures and the memories--when his dancing days are over.
I love finding something. For me it's not just about the athletic challenge, it's about finding new things. When I'm not doing that in climbing, it manifests itself in other ways. There's the athletic side of it, but it is very much an artistic thing.
We were very athletic growing up. My dad basically trained us like boys when we were little, so being able to physically challenge myself and to be able to do crazy stunts and not use my stunt double was super exciting for me.
Ideally you do want people to treat you professionally in return, but not everyone necessarily does that. This acting job - it pays very well and you get to live a wonderful lifestyle, but it's something that I love doing, so I want to work with other people who enjoy it as well ... Maybe if I met the Queen I'd be nervous, though I'd probably be more nervous about doing things the right way because it's a very formal occasion.
I've always been athletic and a dancer, so I love doing fight choreography.
There's a lot of pressure on women to fulfill certain fantasies. They expect you to be a little bit of a tart, to flirt with all the men. A lot of women do it. But I'm not doing that. I talk with these guys about their wives and kids right away. When they say inappropriate things, I let them, because boys will be boys, but I'm not looking to participate in their conversations.
I started dancing when I was five, and I trained intensively as a competitive dancer up until the end of high school. I did all genres, and later on a did a lot of extra ballet on top of that. I actually got accepted to Julliard for dance during my senior year, but I ultimately turned it down to come to L.A. to act.
Realization that i couldn't be a ballet dancer was a blessing in disguise because that was the first time I felt like I stepped into adulthood. I realized, Okay, this is not going to work out. It was frustrating for about a year because I didn't know what to do with the creativity and the discipline that dancing had instilled in me from a very young age. But then I moved to Paris to model, and that was my cultural awakening. Now, I think dancing has been the biggest thing in my life, much more so than modeling, and it still helps me enormously in my work.
I do a lot of things well, I'm very athletic, I play against guys who are also very athletic.
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