A Quote by Colson Whitehead

For me, choosing between fiction and nonfiction is really only about picking the right tool for the job. — © Colson Whitehead
For me, choosing between fiction and nonfiction is really only about picking the right tool for the job.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
All fiction, if it's successful, is going to appeal to the emotions. Emotion is really what fiction is all about. That's not to say fiction can't be thoughtful, or present some interesting or provocative ideas to make us think. But if you want to present an intellectual argument, nonfiction is a better tool. You can drive a nail with a shoe but a hammer is a better tool for that. But fiction is about emotional resonance, about making us feel things on a primal and visceral level.
The perfect way is without difficulty, for it avoids picking and choosing. Only when you stop liking and disliking will all be clearly understood. Be not concerned with right or wrong, for the conflict between right and wrong is the sickness of the mind.
There's no division on my bookshelf between fiction and nonfiction. As far as I'm concerned, fiction is about the truth.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
Prose gets divided up into fiction and nonfiction and short fiction and long fiction and autobiographical nonfiction and so on. Poetry can do any of those things except with the added definition of intensified formal pressure.
I don't read much nonfiction because the nonfiction I do read always seems to be so badly written. What I enjoy about fiction - the great gift of fiction - is that it gives language an opportunity to happen.
I don't really think it's appropriate for me to be picking and choosing in the primaries. It's pretty dumb politics for a Republican to choose between Republicans in a contested primary because obviously you're going to be offending some people.
The difference between fiction and nonfiction is that fiction must be absolutely believable.
To be creative means to connect. It's to abolish the gap between the body, the mind and the soul, between science and art, between fiction and nonfiction.
One of the primary differences for me between fiction and poetry is that fiction uses every sort of tool that poetry does but hides it much, much more. Fiction doesn't necessarily reveal what it's doing with rhythm and sound and patterning.
I'm all about nonfiction. I rarely read fiction. I like to read about things that really happened, facts, real life situations. That's what inspires me.
Picking roles, my way of choosing them is vastly different now than it was a long time ago, but I can only be that way now because of what I've learned from the past. So I'm choosing now not to choose any work, because when you've had such a nice ride, unexpected rides and fulfilling rides, you really don't want to take a step backwards. It's really made me satisfied in a way that I wasn't looking for, but I was blessed with it and now I feel really full, in a good way, where I don't need to rush out and go find something.
Jill told me that when you're really in love, you know right away. I'm not exactly sure how this happens. Is it like a flash of lightning? Like an angel tapping you on the shoulder? Or is it similar to choosing a puppy? You think you're picking the cutest one, but really you wind up going home with the one who keeps insisting on climbing into your lap.
It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.
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