A Quote by Colton Dunn

I've been a comedian for a long time so writing and performing is a big part of what I do. If anybody's doing comedy they should also work on writing. — © Colton Dunn
I've been a comedian for a long time so writing and performing is a big part of what I do. If anybody's doing comedy they should also work on writing.
I've been a musician and a songwriter for years, since I was a teenager, and made my living doing that on and off for a long time, so when it came to writing comedy material, it was the thing that came easiest to me, the most natural way of writing.
I've been writing music since I was 9. I took harmony and counterpoint classes when I was studying the clarinet. So, I've been writing for an awfully long time. It just became part of everyday life.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life; the important part of writing is living. You have to live in such a way that your writing emerges from it.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.
I had been writing and performing stand-up comedy pretty much the entire time I worked at Google.
In comedy you sometimes have to look at the funny bone a little bit. So, that was the hardest part - was not offending. I'm not laughing at anybody. We're laughing together about who we are - and the funnier part of who we are. I'm (sure) not writing this and calling you a stereotype. I'm not doing that.
I have to say that my background in comedy, of performing live, has been such a great foundation for what we do now on camera. I really value having that kind of experience. Because when you're doing comedy shows you're writing your own material and trying it out on people and you know people find funny and don't.
When I was studying comedy in Chicago, it wasn't long after 9/11. There were a lot Middle Eastern comedians who were doing bits about hailing cabs and being terrorists. So the first two years, I didn't do any of that because I wanted to separate myself from those guys. But race is a big part of who I am, and it should be a big part of my comedy.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
I think a comedian has a more specific job. Whereas a musician can fall into different categories, you know, of making background music or doing a soundtrack or wanting to be in a band or writing the song, or writing your own songs. And then comedy is a very black and white thing. You want to make people happy.
The hardest thing writers have to do is figure out for themselves who they are. What should they be writing about? What stories should they be telling? What does writing mean to them? I didn't know the answers to those questions for a long, long time.
I've been spending quite a bit of time writing, acting, and making films. Because I'm doing all this extra writing, acting, and creating short comedy skits with my friends in improv shows, I feel like that's really filled out my confidence on the mic.
When we graduated [ from Cambridge], we were grabbed right into television. I was grabbed straight into the practice of writing comedy. It was all writing and performing. You wrote something in order for you to perform it.
I am not a performing seal. In your writing, you are tapping into the part that is 'the best' in you. But what you are also filters through in your writing your prejudices, your bitterness. I am not a pretentious person.
I think a lot of people are very good, but I don't think anybody could do my rhythm. I was thinking, "If you want my rhythm" - and when I was writing, I was writing them for myself - "why am I watching another actor doing what I should be doing?" It was just a really unpleasant experience.
The pleasure that I take in writing gets me interested in writing a poem. It's not a statement about what I think anybody else should be doing. For me, it's an interesting tension between interior and exterior.
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