A Quote by Colum McCann
If you sort of see yourself writing into a space that you don't always recognize, you sometimes learn things that you knew, but weren't entirely aware of. It's very liberating for a writer to go into a space where she or he has not gone before, because, instead of being a tourist, you're like an explorer now, and you're sort of lost in this new idea.
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When I look at things, I always see the space they occupy. I always want the space to reappear, to make a comeback, because it's lost space when there's something in it.
I am in a space now where I can try anything; and with Pink Floyd we've always been in a space where we were able to try out anything. I think we were very young then and we were very keen to experiment and try things out. It seems to me that this sort of experimenting is like working yourself towards something and trying to find what you like and what you want.
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Without willing it, I had gone from being ignorant of being ignorant to being aware of being aware. And the worst part of my awareness was that I didn't know what I was aware of. I knew I knew very little, but I was certain that the things I had yet to learn wouldn't be taught to me at George Washington High School.
I was always writing stories, even as a kid. I always wanted to be in the plays and do that sort of thing. Screenwriting started to really appeal to me because the idea of being able to make things that many people got to see became very captivating.
I mean, movies in general tend to sort of portray time, space and identity as these very solid things. Time moves forward. Space is what it is. You are you, and you're always you.
The thing I remember most about space is the view from the spacewalk. When I was inside the space shuttle and looking through the window, you can see the earth and the stars, and it's very beautiful, but it's like looking at an aquarium, sort of. When you go outside and spacewalk, you become a scuba diver.
My parents were pretty open about a lot of things, especially my mom. And any kind of little crazy thing I was into, she was very supportive of. You know, whether it was BMX bike racing or being in the Boy Scouts or surfing or anything else, she always seemed to sort of support it. And I think it's because she was an immigrant and that idea of sort of having her kids be able to have access to their dreams and whatever they wanted to follow was very important to her.
Being single is about celebrating and appreciating your own space that you're in. I couldn't have lived alone before. I always needed someone to share my space but now I like being by myself. If I want to be with people then I see my friends; if I want a date then I'll have one.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
There's the space that you soar into, the space that you sometimes break through to, and hang in. A sort of gasp or gap.
I think it's good that [my granddaughter] here because I lost my parents and now it's great that there's a new generation. And she's taught me new things that I've forgotten. Like, when you're on holiday and see what it's like to see a shell or go into the water for the first time.
I have this theory about science fiction movies in that, when the space race sort of died, a lot of people sort of lost hope.
I wasn't frightened going to outer space. I'd been living this in my head for many, many years, so I sort of had played all of these scenarios of flying into space and seeing earth. I think I was very prepared for it. It was almost a completely joyful, very happy, very exciting experience, and I didn't have time or any desire to think about what things could go wrong.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
My travels have always been of the same kind. No matter where I've gone or why I've gone there it ends up that I never see anything. Becoming a movie star is living on a merry-go-round. When you travel you take the merry-go-round with you. You don't see natives or new scenery. You see chiefly the same press agents, the same sort of interviewers, and the same picture layouts of yourself.
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