A Quote by Constantin Stanislavski

In the language of an actor, to know is synonymous with to feel — © Constantin Stanislavski
In the language of an actor, to know is synonymous with to feel
If you want to deliver as an actor, you need to know the language. If you don't know what you are mouthing, how will you perform? For me, it is important to know the language.
When someone's an actor and you're an actor, you meet them and you feel like you know them. We're in the same business, and we all speak the same comedy language.
I know, as an actor, you have to negotiate, but I can't handle the whole idea that art and commerce are synonymous. It drives me nuts.
I don't know how a hero feels, honestly. I feel like an actor; I wanted to be an actor. I always want to feel just like an actor. I don't know this 'hero' term.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
Growth as an actor and as a human being are synonymous.
You know, they were returning to the language of the people and trying to use musical language, particularly as Copland did to create a musical language in which all Americans would feel that they had a stake.
To make 'depression' synonymous with 'dangerous' is as bad as saying 'Muslim' is synonymous with 'terrorist.'
Obviously, like Wembley is synonymous with tennis, snooker is synonymous with Sheffield.
No actor has a flawless career, but in the long term, I'd like my name to be synonymous with good quality.
What is quite worrisome is the absence of analysis and reflection. Take the word "terrorism." It has become synonymous now with anti-Americanism, which, in turn, has become synonymous with being critical of the United States, which, in turn, has become synonymous with being unpatriotic. That's an unacceptable series of equations.
What I know is the characters in a Southern town. I know the cadence of the language and the voice of Atlanta because I've lived here for so long. And I know the neighborhoods, and I hopefully know the people, and I feel a connection to them. And I also feel like I'm honoring them when I talk about them.
Filmmakers tell actors to adjust their body language, and the famous presence of the actor is his or her body language. That is what makes them special and a movie star. An actor's capital is his body.
Sometimes perception is almost more important than the skill level of an actor. And if you give too much away, you have nothing to take for yourself and put onscreen. If people feel like they know you too well, they won't be able to indentify with the character you're trying to portray. Or they'll feel that you're just playing yourself, and then you just become a personality actor. And that's the death of any actor.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
I don't feel secure at all. I don't know what actor would feel they've made it. I feel like I'm just starting.
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