A Quote by Corey Smith

When I think about my career and how it all started, it really started with me getting to a point where I understood how to write songs that resonated with people. — © Corey Smith
When I think about my career and how it all started, it really started with me getting to a point where I understood how to write songs that resonated with people.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
I started playing guitar when I was in eighth grade, and that led to trying to write songs and trying to figure out how to play in bands. That led to meeting people, and getting into the local punk rock scene, and going to shows. So that was how I really got into the culture of it.
I always thought that I was a terrible writer. And I started to write songs. And I started to like what I was writing. I think it's a new way for me to express things that are closer to myself than when I play a role because, of course, it's really not me.
When I started doing these advocacy groups, it sort of propelled and compelled me to write songs, because otherwise I wasn't really sure what I was going to do, music-wise. I wasn't particularly motivated to write songs. But this level of humanity and spirit that I witnessed greatly impacted and so inspired me, so that I felt this sort of renewed vigor to write music. As far as how grounding it is, yeah, it's the ultimate amount of perspective.
I can't stress enough how important it is to write bad songs. There's a lot of people who don't want to finish songs because they don't think they're any good. Well they're not good enough. Write it! I want you to write me the worst songs you could possible write me because you won't write bad songs. You're thinking they're bad so you don't have to finish it. That's what I really think it is. Well it's all right. Well, how do you know? It's not done!
Once I started writing novels, I understood how hard it was to write really good short stories.
I write songs when I need to. That's how I write songs: when there's something that's bugging me. If something's troubling me, and I don't really know how to articulate it to people directly - my friends, my family, or my girlfriend - then I'll write a song about it because I know I can articulate it that way.
Music saved my life. I mean, music is life. It is everything to me. It's why I can meet people - I was so shy as a kid, and when I started to write songs and perform them with my sister in front of the public, people started to talk to me, and that made me feel really good. Everything about it has always been positive.
I just love to play rock and roll. I love to write songs all the time about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
I started to read my first book at about the age of six. I started to write a book simultaneously. Not to compete, just to augment. And that's how one starts. Or I started.
I started to write songs. And I started to like what I was writing. I think it's a new way for me to express things that are closer to myself than when I play a role, because, of course, it's really not me. I'm finding a new way. I don't know what it's going to be. But I know that I will need to give it to people one day.
When people started reading me and talking to me about the work, they didn't say how funny, or how satiric, or how brilliant, or how this or how that, they said, how'd you get away with it? How'd you get that into print?
When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
It's good for people to be able to see an archive of an artist learning how to write and getting better, especially for teenagers who are starting to write: to see that I started out making pretty easy and weird and bad-sounding music and that you can teach yourself how to write over a long period of time.
When my friends started to care about getting girlfriends, I really didn't. I started to think, literally, 'What's wrong with me?' and, 'Why can't I be normal like everybody else?'
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