A Quote by Corey Feldman

Becoming an actor wasn’t a choice – it was something I was forced into. At 3, you can’t make those choices... I supported my family, and if I got fired or missed an audition, I’d be punished as if I’d messed up in school. I was starved, because they wanted to keep my weight at a certain place; my hair was bleached – that was my life. I wasn’t allowed to play with kids on my block or ride a bike or play ball, in case I got a scratch – I wasn’t even allowed to be bar mitzvahed because I couldn’t attend enough lessons.
I couldn't make it on the swimming team in high school. In fact, I got thrown off the swimming team and was forced to audition for the school play because they had at the audition about 35 girls show up and no boys, so my swimming coach suggested that I might be able to do the drama department more good than I was doing the swimming team.
I still enjoy playing some of those early Straits songs, and I'm proud of what we did, and certainly we had some great times. It's what we all wanted when we were kids. But you've got to have the resilience to ride that thing, to pick up that ball and run with it. Because you will keep picking it up and keep running.
When I got fired from coaching, I started coaching high school because my son played. I realized real quick that high school football is in trouble. There's no budget. A lot of kids have got to pay to play, and every year, coaches are getting out of the profession. Kids aren't playing like they used to. It bothers me.
I wanted to be a car mechanic and I wanted to race cars and the idea of trying to make something out of my life wasn't really a priority. But the accident allowed me to apply myself at school. I got great grades. Eventually I got very excited about anthropology and about social sciences and psychology, and I was able to push my photography even further and eventually discovered film and film schools.
I didn't do school plays... I've never done a play in my life, actually. Not even a nativity. If I'd been in a school play, I'd probably have sneezed and messed everything up.
When I hit 16, I got a scooter to ride to school. It was bright pink, and I saw on the ownership papers that Jonathan Ross once owned it. My friends slated me for it because of the colour, but it was cool. My father used to ride, and my mother's boyfriend has a bike, so we're a bit of a biker family.
I've always been a deep sleeper; because I come from such a large family - there are 10 kids - I could sleep through anything. Even with my last day job, I'd sleep in later and later and start coming in an hour-and-a-half late. I got fired twice before I really got fired.
I bike ride and swim but I don't exercise 'cos I like it. I do it because I've got a thyroid problem that can balloon my weight up to 20 stone if I stand still for five minutes.
I wasn't allowed to do commercials. I wasn't allowed to do TV series. I wasn't allowed to do soaps or basically anything that would mean I missed too much school.
The work-life balance is a harsh reality for so many women, who are forced every day to make impossible choices. Do they take their kids to the doctor...and risk getting fired? Do they work weekends so they can afford to send their kids to better childcare...even though it means even less time with their families? Do they take another shift at work, so they can pay for piano lessons for their kids...even though it means they have to stop volunteering for the PTA? It just shouldn't be this difficult to raise healthy families.
In the 1990s I got to play in a group that played in prisons in California. We would play in maximum security wards. It was infuriating. Those kinds of situations stick with me. We got to come in and play music for them because that's a way of caring, just offering something, a gift, basically. They're basically the most grateful audiences I've ever experienced, because nobody's giving them anything.
I'm emotionally invested in every movie that I do, period, because you've got to make that commitment. You're spending a year, 18 months of your life doing it. I'm invested in all those kinds of pieces. Most of the films I've had in my career have never tested well. I got lucky that sometimes I got supported by studios - or, at least if not supported, tolerated.
When children are allowed to help make family decisions, they tend to be much more supportive and happier with family life. Also when allowed to help make rules, they will follow them much closer than if rules are forced on them. All these add up to a happier home for all.
I was horribly shy all through grade school and high school. But somehow I got up the nerve to audition for one play in high school - 'Auntie Mame.' I got a small part as the fiancee who comes on in the end. I got laughs. I wasn't shy at all doing the part. I can do anything on stage and write it off as a character.
I got into acting in high school mainly because I wasn't doing anything else and started to hit a few bumps in the road. And there was a conference with my parents who said either you find something to do with your time or we will. And so, I don't know why I thought this was the thing to do, but I went to audition for the school play.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
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