A Quote by Corita Kent

In the eighteenth century, it was ladies and gentlemen and swings in a garden; today, it may be Campbell's soup cans or highway signs. There is no real difference. The artist still takes his everyday world and tries to make something out of it.
I'd like to name my kid a whole phrase. You know, something like Ladies and Gentlemen. That'll be a cool name for a kid. This is my son, Ladies and Gentlemen! Then, when he gets out of hand, I get to go, Ladies and Gentlemen, please!
It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
The 'polymath' had already died out by the close of the eighteenth century, and in the following century intensive education replaced extensive, so that by the end of it the specialist had evolved. The consequence is that today everyone is a mere technician, even the artist.
If you get into Scientology, you will go to auditing. It's like therapy except that there is an E-meter between you and your auditor. That's a device that actually measures your galvanic skin responses. It's two metal cans that you hold. They used to be Campbell's Soup cans with the label scraped off.
Everyday I eat some soup. This is part of our culture - our mommies and grammies make it, and at any restaurant in Serbia, you can go in and find some soup. There might be minestrone, butternut squash, chicken noodle soup, tomato soup, mushroom soup, lamb soup. Whatever you can find, you can make a soup with that.
Food is like clay; you can sculpt with it. Also it has an odor, and you can eat it. I don't eat a lot of cake, but I do make cakes! And unlike the Campbell's Soup Cans, my food is a humanized form and scale.
It is perfectly right for a gentleman to say "ladies and gentlemen," but a lady should say, "gentlemen and ladies." You mention your friend's name before you do your own. I always feel like rebuking any woman who says, "ladies and gentlemen." It is a lack of good manners.
I simply loathe the crude 1960s distinctions between commerce and art. For me, Warhol and pop obliterated all of those separations - that was the whole point of the Brillo Boxes and Campbell's Soup Cans. And believe it or not, in 2009, moronic journalists are still saying to me, 'Your work is so commercial.'
I think his portraits of Jackie, Liz, Marilyn, Mao, Elvis, Lenin - and objects like the soup cans, the dollar signs, the hammer and sickle, it's all about icons. Its all about what people worship in an irreligious or secular world. In terms of Andy's personality and Andy Warhol as a human being who I was very close to, I still feel kind of sorry for him on a personal level. I mean, he was the ultimate example of great success wrapped around inner turmoil and emotional pain.
What makes 'The Marriage of Souls' such a wonderful book is Collins's intricate reconstruction of the late eighteenth-century world. Simplicity and philosophy are the hallmarks of eighteenth-century art and architecture. The classically pure lines look deceptively simple and unburdened by heavy symbolism or imagery.
Until the eighteenth century, people believed that biblical paradise, the Garden of Eden, was a real place. It appeared on maps--located, ironically, at the confluence of the Tigris and Euphrates rivers, in what is now modern-day Iraq.
A gardener is never shut out from his garden, wherever he may be. Its comfort never fails. Though the city may close about him, and the grime and soot descend upon him, he can still wander in his garden, does he but close his eyes.
Now, gentlemen, let us do something today which the world may talk of hereafter.
When you know that something's going to happen, you'll start trying to see signs of its approach in just about everything. Always try to remember that most of the things that happen in this world aren't signs. They happen because they happen, and their only real significance lies in normal cause and effect. You'll drive yourself crazy if you start trying to pry the meaning out of every gust of wind or rain squall. I'm not denying that there might actually be a few signs that you won't want to miss. Knowing the difference is the tricky part.
I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.
The idea of private property universal but private, the idea of families free but still families, of domesticity democratic but still domestic, of one man one house - this remains the real vision and magnet of mankind. The world may accept something more official and general, less human and intimate. But the world will be like a broken-hearted woman who makes a humdrum marriage because she may not make a happy one; Socialism may be the world's deliverance, but it is not the world's desire.
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