A Quote by Cornelia Parker

Traditional conceptual art is very dry. — © Cornelia Parker
Traditional conceptual art is very dry.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
It would be obvious for me to do conceptual art, and I think I've done it already with smashing bass guitars and whatever - I consider that as conceptual.
There is a slight problem with being a conceptual artist these days: You won't get paid. But this levels the field and takes the art of money out of the field of serious art. The only conceptual artists who would conceive of making money on the Internet are a lowbrow species known as hustlers.
All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.
There is a good deal of art that in some traditions of conceptual work are anti-affect, in fact a very large chunk of mainstream art after 1950 took against affect art altogether because they said, "No, we hate affect art because this is how we get manipulated by totalitarianism and therefore artists shouldn't play that game." And a lot of artists agreed to play that game, which I personally believe is to the loss of art.
I think that I came of age in the 1970s with my own work, and it was a time of conceptual and process art, and it was very important not to tell a story. If you told a story, when I was a young artist and first came to N.Y., it was, like, an embarrassing way to make art.
There are very few good writers about art, and you either get art-fashion writing with trendy views or you get very traditional writing. Occasionally, you get people who can write in an interesting way. Really, I think in a sense art writing needs to be renewed as well. It's in a pretty bad condition.
Sometimes I think people confuse rote learning with traditional conceptual instruction.
All art (after Duchamp) is conceptual (in nature) because art only exists conceptually.
What art is not processed? "Conceptual art." Somebody making a painting has to conceive of the size. I don't understand where these words came from. I can't accept the fact that the concept of art as our concept of humanity is expanding.
Conceptual art might be, for better or worse, (definable as) the art most susceptible to lossy compression.
Conceptual art is entirely word-bound. It is, in fact, the kind of art that is exhausted in its verbal description.
Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus.
I've always liked a very dry snare and, like everyone else, a very dry bass drum.
I went on Accutane, which is very strong. Your sebaceous glands dry up, you can't exercise, and you have very dry lips. But it was a miracle, and it worked.
All the rich people collect traditional Chinese art. So it's very natural for Chinese families to still see art as the highest human performance and send their children to this field.
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