A Quote by Cole Porter
Live and let live, be and let be, Hear and let hear, see and let see. . . . Live and let live and remember this line: 'Your bus'ness is your bus'ness and my bus'ness is mine.'
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You know, some people say life is short and that you could get hit by a bus at any moment and that you have to live each day like it's your last. Bullshit. Life is long. You're probably not gonna get hit by a bus. And you're gonna have to live with the choices you make for the next fifty years.
With Parkinson's, it's like you're in the middle of the street and you're stuck there in cement shoes and you know a bus is coming at you, but you don't know when. You think you can hear it rumbling, but you have a lot of time to think. And so you just don't live that moment of the bus hitting you until it happens. There's all kinds of room in that space.
Meeting your soulmate has a certain amount of meant-to-be-ness to it, AND it requires a big dose of make-it-happen-ness.
Without rules you can't have anything, but you don't want to just be pedantic or obsessive. The painting is finished when it's working. The overall balance is right. Balance shouldn't be confused with design. There has to be restless jostle and aggression and a bit of dynamism, not just pat-ness or settled-ness or immediate pleasing-ness.
Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
I remember, in my first show in New York, they asked, 'Where is the Indian-ness in your work?'... Now, the same people, after having watched the body of my work, say, 'There is too much Indian philosophy in your work.' They're looking for a superficial skin-level Indian-ness, which I'm not about.
As the bus slowed down at the crowded bus stop, the Pakistani bus conductor leaned from the platform and called out, "Six only!" The bus stopped. He counted on six passengers, rang the bell, and then, as the bus moved off, called to those left behind: "So sorry, plenty of room in my heart - but the bus is full." He left behind a row of smiling faces. It's not what you do, it's the way that you do it.
There are going to be times when we can't wait for somebody. Now, you're either on the bus or off the bus. If you're on the bus, and you get left behind, then you'll find it again. If you're off the bus in the first place — then it won't make a damn.
New York is a glamorous city, constituted mostly of nobodies. They crave the lights, and if they tell you differently, they're lying. Only dreamers come to New York. As a matter of course, few people have control of their lives. You live at the whim of your boss, your landlord, your grocer, the stranger, the judge, the bus driver, the mayor who won't let you smoke. On the other hand, you live at the whim of your whims, and that is the most exciting thing there is.
You heard me, only Friend whom I love. To ravish my heart, you became man. You shed your blood, what a supreme mystery!... And you still live for me on the Altar. If I cannot see the brilliance of your Face Or hear your sweet voice, O my God, I can live by your grace, I can rest on your Sacred Heart!
When you are waiting for the bus and someone asks, "Has the bus come yet?". If the bus came would I be standing here?
It is not the ought-ness of the problem that we have to consider, but the is-ness!
You can't live in your own secluded world. If you're not on the Tube, on the bus doing normal things, how can you relate to people?
This is gonna sound stupid, but I saw at one point that our mothers are ... bus drivers. No, they are the bus. See, they're the vehicle that gets us here. They drop us off and go on their way. They continue on their journey. And the problem is that we keep tryin' to get back on the bus, instead of just lettin' it go.
My first artist bus was Jason Aldean's old bus, with deer antlers over the lights and cowhide on the back of the couches. It was such an absolute dude bus.
I'm very unstable; there's no stability in a musician's life at all. You live on a bus or on the road hand to mouth and you don't know where your money's coming from.
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