A Quote by Cole Sprouse

I couldn't continue to live in a bubble and hope to be an empathic actor. It doesn't work. — © Cole Sprouse
I couldn't continue to live in a bubble and hope to be an empathic actor. It doesn't work.
An empathic way of being can be learned from empathic persons. Perhaps the most important statement of all is that the ability to be accurately empathic is something which can be developed by training. Therapists, parents and teachers can be helped to become empathic. This is especially likely to occur if their teachers and supervisors are themselves individuals of sensitive understanding. It is most encouraging to know that this subtle, elusive quality, of utmost importance in therapy, is not something one is "born with", but can be learned, and learned most rapidly in an empathic climate.
That's our mirror. Every dip, every crash, every bubble that's burst, a testament to our brilliant stupidity. This one gave us the railroads. This one the Internet. This one the slave trade. And if we hope to do anything about saving the environment, or getting to other worlds, we'll need a bubble for that too. Everything I've ever done in my life worth anything has been done in a bubble: in a state of extreme hope and trust and stupidity.
As we go forward, I hope we're going to continue to use technology to make really big differences in how people live and work.
God, I love John Cassavetes. Throughout my acting career and continuing to be an actor and grow, I think there have been so many outstanding actresses, and I hope I can live up to the things they created and continue that on. I think Gina Rowlands is an amazing actress.
As an actor, you get to live out many professions. I just want to continue to evolve. My one goal in this business is just longevity and respect, and that's something I'll always have to work toward.
You really don't do anything else in your life; it's a very little bubble that you grow up in. And you have to live in that bubble because of the intensity of the sport.
The Empathic Civilization is emerging. A younger generation is fast extending its empathic embrace beyond religious affiliations and national identification to include the whole of humanity and the vast project of life that envelops the Earth.
Motivation aside, if people get better at these life skills, everyone benefits: The brain doesn't distinguish between being a more empathic manager and a more empathic father.
You had to live in your own bubble. You couldn't force your way into someone else's, because then it wouldn't be a bubble any more.
The response to war is to live like brothers and sisters. The response to injustice is to share. The response to despair is a limitless trust and hope. The response to prejudice and hatred is forgiveness. To work for community is to work for humanity. To work for peace is to work for a true political solution; it is to work for the Kingdom of God. It is to work to enable every one to live and taste the secret joys of the human person united to the eternal.
I hope people understand there is a world outside our life in this bubble and hope we can appreciate it and preserve it.
How many Christians live for appearances? Their life seems like a soap bubble. The soap bubble is beautiful, with all its colours! But it lasts only a second, and then what?
That's how I digest it, 'cause I can press the fast-forward button and I know that I'm gonna have to continue to be an actor, continue to make choices, continue to perform in a show every week.
I live in a bubble. Real life is the one my friends live. They've had to look for work, sign on to the dole, and emigrate. That's normal life now. My life as a footballer is not normal.
We continue to hope that a way can be found for Benchmark to move forward, having profited so handsomely from the work of Travis Kalanick and many others, and to do so without inflicting gratuitous harm on the company which we have all supported, and for which we continue to have the greatest expectations.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
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