A Quote by Kofi Siriboe
Ralph Angel, for me, was about getting in touch with the similarities between the characters. I felt like he was a human being that I knew and [somebody] that I've been and am currently still exploring.
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As much as he's been through, he's so alive and open to change. That's what I wanted to channel and I feel that's the root of who he is. So I was still and listening to God. All of that came together to really birth this human being known as Ralph Angel.
I feel like the stillness of Ralph Angel - him being formerly incarcerated, being a Black man, being misunderstood in this world, I felt like that brought him to a place where he thought he had to be an observer - externally and internally.
I've never spoken with an angel, though one time I felt the awesome weight and glory of God's presence in an angel in my bedroom as I kneeled in prayer. I kept my eyes closed, good Baptist that I was at the time, so I never knew if it was an angel. (I now am reasonably confident it was.)
No, it's not healed. It happened in Sochi and it's been going on and off all season. It's been bugging me throughout my entire Grand Prix season. Coming here, my foot was bothering me. I knew when to push my foot and when not to. I know that it was all in my head. I knew if I didn't think about it too much, it wouldn't bother me too much. But it's been getting better. Still not fully healed but it's getting much better than it has been.
I feel like I've been very lucky with the directors. The characters I've been offered, especially lately, have given me the opportunity to play all of these different women. I always wanted that, and it's something that you cannot do by yourself. If you want to play a diversity of characters, somebody else has to have the imagination to give you a role completely out of the box. We depend on somebody else's trust, and these directors are giving me their trust, and I am grateful for that.
Ralph Lauren... Ralph is somebody that doesn't change with trends and has just kept it up and gotten better and better. That's what we aspire to, without getting boring.
[Ralph Angel] was really about figuring out the humanity aspect of the character and not really paying attention to certain things like him being incarcerated or him being a father and showing that type of love and putting something before you, despite me not having kids in real life. He's vulnerable, ambitious and alive.
I've always preferred writing about grey characters and human characters. Whether they are giants or elves or dwarves, or whatever they are, they're still human, and the human heart is still in conflict with the self.
In the development of the understanding of complex phenomena, the most powerful tool available to the human intellect is abstraction. Abstraction arises from the recognition of similarities between certain objects, situations, or processes in the real world and the decision to concentrate on these similarities and to ignore, for the time being, their differences.
Mothers see the angel in us because the angel is there. If it's shown to the mother, the son has got an angel to show, hasn't he? When a son cuts somebody's throat the mother only sees it's possible for a misguided angel to act like a devil - and she's entirely right about that!
I am really happy that even though I am stuck in the comedy genre I have not been typecast. I am still getting to experiment a lot with my characters, which is a boon.
I was doing great plays. It wasn't changing the world. I was getting good agents and doing film and TV and I wasn't happier. I was like "Wow, there is an unease inside of me." And that led me back on my kind of more spiritual path to the Baha'i faith in a new and fresher way and I came to also understand at that point that there was no difference between being devout and being an artist. There is no difference between creativity and spirituality and philosophy and that is what Soul Pancake, the book, and SoulPancake.com are about is: it's all about human expression and it's about seeking to transcend.
I'm definitely interested in exploring human contradictions. Contradictions are what make us human - it's what defines us as human beings. Contradictions are what make characters interesting, and I've been lucky to be presented with characters who have a lot of contradictions.
Once she was gone, I knelt next to Annabeth and felt her forehead. She was still burning up. "You're cute when you're worried," she muttered. "Your eyebrows get all scrunched together." "You are not going to die while I owe you a favor," I said. "Why did you take that knife?" "You would've done the same for me." It was true. I guess we both knew it. Still, I felt like somebody was poking my heart with a cold metal rod.
Somebody's girlfriend," she said. "Somebody's sister, somebody's daughter. All these things I never knew I was before, and I still don't really know what I am.
'Ralph's Party' was a romantic comedy, and at the end of it, the two main characters, Ralph and Jen, kiss for the first time and think they're going to be happy together. Then, 10 years later, I wrote a sequel in which they've been together for 10 years and are about to split up.
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