A Quote by Beau Bridges
I've always seen making movies as a bunch of little births and deaths. We come in. We don't know anybody or very few people that we work with, but the nature of the job pulls us into a sort of an intimate kind of relationship and communication and then they're gone and it's kind of melancholy. You miss that guy but then suddenly you're working with him again maybe somewhere.
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I don't think I've seen that sort of character in a long time in this genre because again, there was a time when you could have quirky, strange characters that you grew to love, you didn't quite understand, you know, and then all of a sudden they became almost cardboard cutouts for awhile. You kind of know the guy, what his deal is - this guy's hard to figure out. He has some strange habits, but, you learn to love him and you discover more about him, where it comes from.
But in the end, mastery involves working and working and showing little improvement, perhaps with a few moments of flow pulling you along, then making a little progress, and then working and working on that new, slightly higher plateau again. It's grueling, to be sure. But that's not the problem; that's the solution.
It's kind of true that they just start making the same movie over and over again. It's also true that the times dictate what kind of movies get made and what kind are not. So I'm always looking for something that's a little fresh and something that I haven't seen before.
The thing about Snapchat is it is ephemeral, so you don't - it's not like a video that you post to YouTube and then everyone can see it. It's this video that you get to share this kind of very intimate experience again, this very kind of genuine experience with another person in a more one-on-one sort of way. And I really appreciate that.
David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.
My father left us three times when I was between three and six. You just couldn't tell - suddenly one day he would leave and then maybe he would come back after six months without telling you why. And then maybe he would disappear again after a year and it's very difficult to take when you are four or five. You just don't know how to handle it and nobody in the family wants to talk about it. My mother didn't know how to tell us and she needed to work because we needed money to live.
I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.
I say the elite looks out of touch because it's kind of saying; look we'll manage all this for you. You know, we know best. We'll sort it all out for you. And then because people believe that doesn't meet their case for change and they want real change, social media and the way the relationship between people can come into a sense of belonging very quickly, that then is itself a revolutionary phenomenon. You see this around the world.
In a lot of ways being actor is like with any job, at first it's sort of like alien to you a little bit... a little foreign. And then as time goes on... when I was a kid I'd take a role... it's kind of funny too, because now I have the attitude also "All I am is just like making movies." When you're a kid it's like, "Oh my god, I'm making a movie! It's so much pressure!".
I've been a fan of Mads since the “Casino Royale” movie. I really sat up and paid attention to him. I was like, “Who is this motherf**ker?” Even his work in something as sort of popcorn as “Clash of the Titans,” he brings a kind of danger and reality and he grounds it in such a way that you think, yes, I'm good to work with this guy. I should come back, just stay behind him. (Laughs) Our working relationship has been fantastic.
I started so slowly and had so few followers and then it kind of sort of snowballed. I still feel an intimacy on Twitter, which I think a lot of us do. It feels intimate, doesn't it? I love it. I never thought I would.
As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
There are two types of bands - there are the ones that are basically solo projects anyways, where there's clearly the one guy who's driving the ship and everyone else is just along for the ride. And then there was my band, where you have a few very disparate-taste, creative people who kind of meet in the middle somewhere.
Communication with God is vital to a vibrant relationship with him. We will never really know God in an intimate, personal relationship if we don't talk to him. Half of our communication with God is listening to what he has to say through his Word, which is why reading our Bibles is so important. The other half of communication is talking to him, which is prayer. Prayer is also important because the Bible commands us to pray.
People can be quite cynical. 'The Kills are too cool.' There's been an on-and-off relationship with the music press that loves us and then hates us then loves us again. I don't think any kind of press is reliable.
We really enjoy that, having a relationship with writers, developing material and getting a director, actors, that we have kind of that family kind of as a group we're going to do it together mentality in a project. Then the tough part is - so what actually goes has very little to do with us sometimes.
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