A Quote by Craig Zadan

In the past, once a movie musical was made, it was believed that you were left with that version, good or bad, for posterity. — © Craig Zadan
In the past, once a movie musical was made, it was believed that you were left with that version, good or bad, for posterity.
On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.
We've spoken to a lot of friends who are stars who could be great, and they say to us, 'Look, if you were doing a movie musical, and we could pre-record and lip-synch, sure. But live? So if we hit a bad note it's there for posterity? We're not going to go out there without a safety net.' People are scared to death of that.
When we're good, we're very, very good, and when we're bad, we're horrid. This is not news, because we're so much more inventive and we have two hands, the left and the right. That is how we think. It's all over our literature, and it's all over the way we arrange archetypes, the good version, the bad version, the god, the devil, the Abel, the Cain, you name it. We arrange things in pairs like that because we know about ourselves.
I think that what we were doing with the live musical version of 'Shrek' was taking the ideas and the structure of the movie and not necessarily reinventing it but reimagining it. It is a very different medium to perform.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
I'm not patient at all. I avoid writer's block by writing. I power through with a bad version, so I can move on, and usually once I've gotten to the next scene, I'll discover what was missing from the bad version scene. Then I can easily rewrite it to get back on the right path.
Posterity will say as usual: "In the past things were better, the present is worse than the past.
For me, in movies, it's always a mixed bag. I've never made a movie where I thought, "You were really good in that movie; you were good all the time." No. It's always, "You didn't get it, you didn't do it in that scene, but the other scene is pretty good." So I just hope that in balance there's more good scenes than not.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
I once believed in Jenner; I once believed in Pasteur. I believed in vaccination. I believed in vivisection. But I changed my views as the result of hard thinking.
I always thought love made you stupid. Made you weak. A bad Shadowhunter. 'To love is to destroy.'I believed that[...]I used to think being a good warrior meant not caring,[...] And then I met you. You were a mundane. Weak. Not a fighter. Never trained[...] Love didn't make you weak, it made you stronger than anyone I'd ever met. And I realized I was the one who was weak.
As you all become more intimate with Me, with opportunities to come closer to Me, all that is good and bad within you comes out in sparks, as it were . . . all the impressions of the past, the accumulations of past sanskaras - of all illusory things, which includes both good and bad - come out. My proximity, the intimacy with Me, just changes that mass of sanskaras, and sometimes you find sparks of good and bad flying out.
If painters left nothing of themselves after their deaths, so that we were obliged to rank them as we do actors according to the judgment of their contemporaries, how different their reputations would be from what posterity has made them!
I had given thought to acting, but I never really had a good enough opportunity or a character who made sense and paralleled my life a little bit. I feel like I'm one of the poster boys for a bad guy in a movie. I feel like I'm a good person to play a bad guy in a movie. I can say that.
There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
There were many good years. Good decades, good centuries. We believed we were living in paradise. Perhaps that was our downfall. We wanted our lives to be perfect, so we ignored imperfections. Problems were magnified through inattention and war might have become inevitable if the Bore hadn't ever made.
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