A Quote by Craig Zadan

There were no TV musicals until we did Bette Midler 'Gypsy,' and the success of that opened the door for us to do the rest. — © Craig Zadan
There were no TV musicals until we did Bette Midler 'Gypsy,' and the success of that opened the door for us to do the rest.
We called the head of CBS and said, 'We know how network television feels about musicals. Would you even consider doing 'Gypsy?'' He said, 'If I did say yes, you'd have to have a big movie star who does not do TV.' I told him that, in our fantasy world, we'd like Bette Midler. He said, 'Get Bette Midler, and you have an on-the-air commitment.'
You know how Bette Midler always says her obituary will read, 'Bette Midler dies. Started her career at the Continental Baths?' Mine will say 'Chris March died. He was on Season 4 of 'Project Runway.'' It's an amazing show, it did a lot for me, and I'm fine with it. Unless it becomes terribly disreputable.
Elizabeth's voice had a door in it. When you opened that door you found another door, and that door opened yet another door. All the doors were nice and led out of her.
I worked with Dionne Warwick, did shows with Bette Midler, and then I did the 25th anniversary of the Rock and Roll Hall of Fame with Springsteen at the Garden. It was all important stuff because you want people to know you can work, you can sing, and you can still look good!
I met Bette Midler, who I absolutely love.
By 1976, I was, like, Gonesville. I practically lived at the Troubador for several years. When Bette Midler was there for six weeks, I went every day for both shows. I sat there mesmerized. The only person who went as much as I did was Cher.
Liberace was a miracle. You talk about who he was and what he did, and then you look at who he inspired, from Elton John to Cher to Michael Jackson to Bette Midler. There are so many people that came to see him. Elvis was there, watching his shows.
I think we sublimated our Broadway desires by doing theater in Hollywood - not on stage but by doing the movies of 'Chicago' and 'Hairspray' and also musicals on TV. We did Rodgers and Hammerstein's 'Cinderella' and 'Gypsy' and 'Annie.' Even 'Smash' was like doing theater.
Bette Midler was my first love, and the intensity of those feelings remain.
Bette Midler can say four-letter words and make you love it.
So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.
Most people are awestruck when they see Lady Gaga and Bette Midler, but then the queen comes in.
We've all heard that in life, when one door is closed, another is opened. Unfortunately, many of us are so focused on the darkness left by what has been lost, we never see the light coming through the newly opened door.
As a child I wanted to be a kind of hybrid of Ferris Beuller, Ace Ventura, Bette Midler, and Lucille Ball.
If you do a musical, it's really thrilling and it's a lot of work, but it's very rewarding. I would say, for me, what I like best is what I do, which is, I call it vaudeville, I call it live, I call it in concert, I call it what Bette Midler does, and what Garland did for years, and Ethel Merman.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
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