A Quote by Craig Zadan
People think, 'Oh, you're doing 'The Wiz' because 'Empire' is such a big hit.' The truth is, staging this musical has been a dream of ours since the '90s, but the rights were tied up. It's just coincidental that, this year, when we were choosing a new musical, the rights were cleared.
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My real musical discovery started when I was 10 with Stevie Wonder and the Jackson 5, and acts that I connected with because they were young when they were doing it, like me. Then I kind of came into my own a couple of years later; I found new artists that shaped my musical landscape. For instance, Kings of Leon played a big part in that.
For a while we were chasing a book by Graham Greene to do Brighton Rock as a musical. We didn't get the rights, so we decided to create something from scratch, with Jonathan. By that time we were big fans of his work.
There's this big debate that goes on in America about what rights are: Civil rights, human rights, what they are? it's an artificial debate. Because everybody has rights. Everybody has rights - I don't care who you are, what you do, where you come from, how you were born, what your race or creed or color is. You have rights. Everybody's got rights.
I began to think, now is the time. I found quite a lot of opposition in Hollywood about the idea of doing a film musical and we ended up having to buy the rights back. I'm glad we did because it meant John and I were able to make exactly the movie we wanted.
The authoritarian one believed that an individual's rights were basically provided by governments and were determined by states. The other society - ours - tended to believe that a large portion of our rights were inherent and couldn't be abrogated by governments, even if this seemed necessary.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
I can't really speak to what it was like to call yourself a feminist in the past on a personal level but I think calling oneself a feminist in the past may have been inimical because feminists in the '70s were the first to really challenge deeply embedded gender roles and demand concrete political and economic rights. They were asking for rights that seemed like a direct threat to those in power - they were asking for equality in a society that didn't have it in an obvious way. They were put down and villainized because they were seen as threatening.
We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.
Bacon, Locke, Descartes, Hume, and all the others knew they were giving rights to vulgarity. But in so doing in addition to caring for man's well-being they were providing rights for themselves.
My parents both were doing the Civil Rights Movement, were very involved with the civil rights to Congress. And my friends' parents were as well.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
My parents were big movie-musical fans. And I thought 'Grease' was different from the usual MGM musical. I was intrigued and fell in love with it.
I was involved in the civil rights movement way back in the late '50s and through the '60s and '70s. I was doing a civil rights musical here in Los Angeles and we sang at one of the rallies where Dr. Martin Luther King spoke, and I remember the thrill I felt when we were introduced to him. To have him shake your hand was an absolutely unforgettable experience. Even before I could vote, I was involved in the political arena.
My goal is to bring the issues that were never brought up on federal TV, such as LGBT rights, which are a shock for many people because they really think that those people should go to prison, they shouldn't have any rights. And moreover, there is lots of people who share the idea that they should be punished for being LGBT, just for the fact.
Growing up in the Libya of the 1970s, I remember the prevalence of local bands who were as much influenced by Arabic musical traditions as by the Rolling Stones or the Beatles. But the project of 'Arabisation' soon got to them, too, and western musical instruments were declared forbidden as 'instruments of imperialism.'
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