A Quote by Craig Robinson

That's when I'm at my rawest. When I'm performing with the band. It's just like the groove is going, whether we're fast or slow, I can just transport myself. — © Craig Robinson
That's when I'm at my rawest. When I'm performing with the band. It's just like the groove is going, whether we're fast or slow, I can just transport myself.
I just love a slow groove. I feel so comfortable in it. But I listen to a lot of fast music, a lot of techno and house.
I feel like once you go with a band, it's hard to go back. I just don't see myself performing without a band.
There are fast ideas and slow ideas, just as there are fast trains and slow trains. When it comes to money, most people are on the slow train looking out the window watching the fast train pass them by. If you want to become rich quickly, your plan must include fast ideas.
When I was young, I was too slow. I thought I must learn to run fast by practicing to run fast, so I ran 100 meters fast 20 times. Then I came back, slow,slow,slow. People said, 'Emil, you are crazy. You are training like a sprinter.'
I can appreciate people for being able to go that fast with their left hand, man. But I just can't groove to that beat. I'm sorry. It's just like somebody sweeping the floor or something - tik tik tik tik tik. It just doesn't really jam to me.
When I was young, I was too slow. I thought I must learn to run fast by practicing to run fast, so I ran 100 meters fast 20 times. Then I came back, slow, slow, slow.
Looking back, I'm surprised I had the nerve to do it, but I'm glad I did. Performing the songs and performing in film was just a part of my personality, just like football and boxing at one point in my life. I was able to lose myself in both of them, and that was a good feeling.
Whether you like another band's music or not you never know who is going to take you out on tour or who you are going to be friends with and that is just something that is important to us.
For me, it really just feels calm. When you're going fast on a downhill course, it's typically where it's wide open. I think it's kind of like driving a car. If you're going really fast and it's straight, everything seems to slow down. In general, racing downhill involves bigger turns and everything sort of slows down and you have a lot of time to think.
Whether I'm doing a routine where I want to move people, or if I want to feel moved myself, I definitely tap into those moments where it's not just dancing or movement. It might just be a hand gesture or just a slow look, or even just the way you slightly tip your head forward. These subtleties speak volumes.
A slow band can be great. A slow 100-metres runner is just obsolete.
The groove can go for like three days - once I'm in it it will just keep going until I'm totally exhausted. But that's how I like to work, I like to be away from everyone and just get in the zone, and stay there for as long as I can keep it there.
I was in a band called Groove Solution. Because there was a groove crisis, and we solved it.
And at the time, for one of the few times in my life I didn't have a band, I just had myself and the guitar, so I was going to have to do something with just my voice, just the guitar and just my songs that was going to move someone enough to give me a shot. So I wrote songs that were very lyrically alive and lyrically dense. And they were unique, but it really came out of the motivation to - or I understood it was - I was going to have to make my mark that way.
When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.
Listen, I'm a performer, and all I'm worried about is just performing and just doing... This is what makes me happy, so no matter what, I'm going to give it my best shot, and I'm going to put myself all out there and give it 100%, and whatever happens, happens.
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