A Quote by Mason Mount
It is about getting into the box more, being more clinical, the final pass. It is about really putting that pressure on myself to be someone who creates.
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I'm trying to become just more clinical in every situation, whether it's the final pass, the final shot, or whatever it is.
I always think to myself, being human, having crushes now, what is it about that person that I really want? What do they represent? More freedom? Someone to care for me more? It's never really about the person.
I personally love auditioning. It's not just about that part: it's about getting to meet new people and really introducing myself to them - getting my name out there more than getting just that project.
You get told a lot in school to tell what you know, write what you know. But what excites me about filmmaking, about being a storyteller, is being able to learn about other people, putting myself in somebody else's shoes, whether that be someone from the Dominican Republic or someone from Cuba or inner-city Brooklyn.
I can definitely take more off my world record - a lot more. I have no doubt about that. I'm by no means putting pressure on myself, it's just the belief I have in myself......I'm not going to limit myself by nominating times or anything like that. I never thought I'd do 14:34 and I did. I thought I'd maybe do 14:38 or 14:39 that day, and I went nearly five seconds quicker so I don't want to limit the possibilities
I guess it's about getting older. I know that I'm going to lose people that I love - I'm going to die myself - so everything seems to be getting somehow sweet and more important and more special and more humbling and more challenging and more terrifying all at the same time.
It's really about making opportunities for yourself and connecting with people on a more-than-normal level. That opens doors. You never know if the caterer's brother is someone. You don't know who someone is having dinner with that night. So being a nice person and touching people creates opportunity.
Music has become a bigger business, and with that there is more pressure to succeed; I think that it creates a negative pressure for being creative.
Early on I was a lot more unsure of myself on stage. When our band The Decemberists was getting bigger audiences I was more concerned about alienating them, so I wasn't as willing to take risks and do weird stuff on stage. But once you get more accustomed to it you tend to have more fun with it and not worry about being pilloried for acting out. Whenever you play in front of 400 or 500 more people than you're used to it's always a weird, transitional period.
Getting older doesn't bother me. When I was 30, I thought I should have achieved more, but you get more comfortable and think it's time to stop putting pressure on yourself.
Ideological pressure is much more crippling than commercial pressure. Crippling to your own freedom of thinking and creating, crippling the final results. If you wanted to succeed during the really hard-line totalitarian regime, you have to make so many compromises to please the censors that you don't recognize the original idea from the final result.
Writing by myself, I spread that out more. I'll spend more time on a song then. I'm more critical about it, because there's no one else in the room to tell me, 'That's really not translating. I'm not getting what you're saying.' So, I'm constantly rewriting it, thinking, 'No, that's fine,' and going back.
By putting pressure on myself to develop a great game, I had less pressure to win. These days, I tell kids that the way I grew up, it wasn't about winning. It was about playing well, about playing the "right" way. That approach helped me enjoy the game and develop mine to its maximum potential.
I don't have a Facebook page because I have little interest in hearing myself talk about myself any further than I already do in interviews or putting any more about myself online than there already is.
I would love to get shredded or whatever you want to call it, but at the same time, I really enjoy treating myself to a cheat meal more than once a week. I'll eat a piece of bread, or I'll drink a beer, and I'll have fun with my friends. For me, it's really more about being healthy than it is about gaining 40 lbs. of muscle.
When I'm up on stage, I'm thinking more about my fans and about myself as a singer and an artist. When I'm at home being a daddy, the last thing I'm thinking about is being an artist. It is two things that I never really put together.
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