A Quote by Chris Weidman

For me to be able fight in my home state of New York would be a dream come true. — © Chris Weidman
For me to be able fight in my home state of New York would be a dream come true.
Being able to move to New York - that was a dream come true.
I know if that I'm not fighting for my home state, my home district, that other members who are out there fighting for their state, their district, they're not going to fight for New York for me.
You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.
It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
It'd be crazy to be an all-time great in New York City. That's a dream come true.
I wanted to be the best street fighter in Houston, Texas. And I thought if I got a trophy or two, I'd go back home, and everyone would be afraid of me. I had one fight in '67, the first one. In '68 of October, I was an Olympic gold-medalist, a dream come true, with a total of 25 boxing matches.
For your first musical in New York, to go to Broadway and be nominated for a Tony is a dream come true.
My first dream was to fight here in New Mexico, Albuquerque, my home town. My second dream is to fight in Mexico City.
The best part about fighting in New York is the New York fight fans, man - Vegas does not compare to the New York fight fans.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
I escaped to New York, and then L.A., but when I dream of home, I still dream of my old house in Holmdel.
I feel like I've been hit by a car every night, that's how I feel emotionally after The Race show. But it is a complete dream come true. For me growing up in New York all I ever wanted to do was Broadway.
We're looking at a lot of race cars as inspiration for our starships. It's wonderful. It's surreal. I didn't want to be a writer. I wanted to be a Star Trek writer, so to be able to craft a new iteration of the show with new characters and a whole new adventure and whole new way of telling stories that you haven't been able to tell on Star Trek is honorable and it's a dream come true. It's hard to articulate that.
I love New York. Any time I come to New York, people see me and they recognize me, they come talk to me and take a picture.
I have a dream," he said slowly. "I persist in dreaming it, although it has often seemed to me that it could never come true. I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends -- and YOU!
For me this was never a money issue, it was about being rich in your heart. To come home, and to be in the place where your dream first started, 15 minutes away from where my grandfather built my first basketball court, is a dream come true.
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