A Quote by Chris Van Allsburg

The opportunity to create a small world between two pieces of cardboard, where time exists yet stands still, where people talk and I tell them what to say, is exciting and rewarding.
Science, literature, and common sense tell us that the self is a fickle thing, subject to revision in real time, and that the chasm that exists between any two people exists inside each and every one of us.
Novels give you the opportunity to create a whole world. Because you create people, you make them talk... You decide who they are, whether they live or die. It's the closest thing to feeling like a god that you can come to.
Nature is so huge. I mean, you can't even look one way! Everything is huge. That was my natural instinct, to create huge art, to create huge pieces. And to me, I still could create bigger works. The opportunity doesn't come along to do anything any bigger. So I've worked as big as I've had the opportunity to work, basically.
If God exists, He is there, in the small, cast-off pieces, rough and random and no two alike.
You tell them what a happy ending consists of, which is always individual success. You tell them that nothing irrational exists in this world, which is a lie. You tell them that conflict only exists only to be neatly resolved, and that everyone who is poor wants to be rich, and everyone who is ill wants to get better, and everyone who gets involved in crime comes to a bad end, and that love should be pure. You tell them that despite all this they are special, that the world revolves around them.
I will say that walking down the street, getting on the subway, taking the elevator, if there's one or two people and they say, 'Great job, Mayor,' that is a real turn-on. I mean, anybody that wouldn't find that satisfying, rewarding, exciting, thrilling - I think they should see the doctor.
I wish the iPhone people would design one that's black and has two pieces, and it plugs into the wall and you can pick one piece up and talk into it. I tell you, the whole time I had one of those old-fashioned plug-in phones, not once did I misplace it.
I've had two platinum albums. I have worked with thousands of people. But the most rewarding feeling is to see people on Twitter say, 'Do you see what Dawn and them are doing? They are number one.' It's the most rewarding feeling because of all the tears, all the bad stuff, and the people that said I couldn't do it.
Nowadays New-York is not the exciting place it used to be. It still has great energy; I still put my finger in the socket. But it doesn't feel alive, cracking with that synergy between the art world and music world and fashion world that was happening in the 80s. A lot of people died.
But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.
If you talk to anyone involved in business - forget banks and big business - talk to small businesses - do it yourself, don't ask me - they'll tell you it's crippling. Small-business formation is the lowest it has ever been in a recovery, and it's really for two reasons. One is regulations and the second is access to capital for people starting new businesses.
We can talk about some small differences between the Premier League and La Liga, but they are the two best leagues in the world.
That's what I tried to create, even though they are new pieces. I wanted them to feel like very special pieces that you can hold on to for a long time. I didn't want them to be too high fashion, I wanted them to be more timeless.
When I talk to people in need, they tell me they want to hope; they are eager for opportunity; they are ready for better days. And I can tell you that every time their hopes are disappointed, all nations lose.
Two people in love, alone, isolated from the world, that's very beautiful. But what would they nourish their intimate talk with? However contemptible the world may be, they still need it to be able to talk together.
Much of the day I have busied myself making notes on the small parts in Shakespeare, often nameless, which are rewarding to the actor if only he'll not dismiss them as beneath his dignity. If I can work it up into a talk I might call it, 'Only a cough and a spit ' -the phrase so often used by actors to explain away a lack of opportunity.
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