A Quote by Chris Gethard
For a few years all I listened to was The Smiths, Things Fall Apart by The Roots, Love Is Dead by The Mr. T Experience, Nostalgic for Nothing by J Church, and the first Servotron album No Room for Humans. And that was it. For two or three years, those are the albums I listened to. I just fell into this very bizarre phase where my head shut down on me. I just obsessed over things and those albums happened to be in that rotation of me obsessing over things.
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I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I've been lucky over the past few years. Things have just happened for me.
I've been making demos at home for many albums now. So over those years, I've learned how to record music, and I love being at home. I excel when I can make things at home.
I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.
A lot of incredible rap albums over the past couple of decades have deserved Album of the Year. 'To Pimp a Butterfly' is an extension of those albums.
[Kids today] think "Grease" is just one long music video. So they watch it over and over again the way we, when we were kids, we listened to albums.
'The Secret Garden' was the first musical that I fell in love with when I was a kid. My mom took me to see it, and it was the first one that I owned the soundtrack to and listened to over and over again.
In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.
I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.
A friend of ours, the wife of a pastor at a church in Colorado, had once told me about something her daughter, Hannah, said when she was three years old. After the morning service was over one Sunday, Hannah tugged on her mom's skirt and asked. "Mommy, why do some people in church have lights over their heads and some don't?" At the time, I remember thinking two things: First, I would've knelt down and asked Hannah, "Did I have a light over my head? Please say yes!" I also wondered what Hannah had seen, and whether she had seen it because, like my son, she had a childlike faith.
At first, it was hard to sit down and read the things that people were saying. A lot of people would've worked their way up to this position and would've gotten a thick skin over a few years' time. For me, though, all this happened in a few months.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.
A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.
From the time that 'Nevermind' came out in September of 1991 to the time that Nirvana was over, it was really just a few years, and a lot happened in those few years.
My life lesson is just to be patient and everything will fall in place. Most of what's happened in my life is not to do with me but good people and the way things happened. So I feel it's no use stressing over anything. Let things simply happen.
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