A Quote by Chris Jordan
I find myself walking these lines. Like I might be an artist, but I also might be an activist. And I'm trying to be both in a way that honors both and doesn't stray too far into either.
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In far too many families with young children, both parents are working, when, if they really took an honest look at the budget, they might find they don't both need to. ... What happened in America so that mothers and fathers who leave their children in the care of someone else - or worse yet, home alone after school between three and six in the afternoon - find themselves more affirmed by society? Here, we can thank the influence of radical feminism.
Tony [Campolo] and I might disagree on the details, but I think we are both trying to find an alternative to both traditional Universalism and the narrow, exclusivist understanding of hell [that unless you explicitly accept and follow Jesus, you are excluded from eternal life with God and destined for hell].
We might say that both the artist and theneurotic bite off more than they can chew, but the artist spews it back out again and chews it over in an objectified way, as an external, active, work project.
It is dangerous to explain too clearly to man how like he is to the animals without pointing out his greatness. It is also dangerous to make too much of his greatness without his vileness. It is still more dangerous to leave him in ignorance of both, but it is most valuable to represent both to him. Man must not be allowed to believe that he is equal either to animals or to angels, nor to be unaware of either, but he must know both.
There were two brothers called Both and Either; perceiving Either was a good, understanding, busy fellow, and Both a silly fellow and good for little, Philip said, "Either is both, and Both is neither.
I firstly don't think of myself as an activist, I never have. I always say that, I think this word "activist" is relatively recent one. I don't remember when people started being called that or what it means. It reduces both writers and activists, it makes it seem as though a writer's job is to just keep people entertained with best-selling books and the activist's job to keep on repeating the same thing without a great deal of subtlety and intelligence. I don't think either is the case.
I've been a writer and a parent since adolescence, it feels like, and I'm still making both gigs up as I go along. I did both in different forms of isolation - too young by conventional standards, too far off-grid culturally and geographically. So my experience is probably too specific to be useful. None of us do this stuff the same way. We just try to endure and press on, I guess.
Such power I gave the people as might do,
Abridged not what they had, now lavished new,
Those that were great in wealth and high in place
My counsel likewise kept from all disgrace.
Before them both I held my shield of might,
And let not either touch the other's right.
I'm not trying to reinvent the wheel with 'Venom.' I'm not trying to go too far to the left or too far to the right. Sometimes I step outside the box and it might lose people a little bit, so this time I'm going straight up the middle. I'm coming with some hard stuff.
Women should be permitted to volunteer for non-combat service... We have no real way of knowing whether the kinds of training that teach men both courage and restraint would be adaptable to women or effective in a crisis. But the evidence of history and comparative studies of other species suggest that women as a fighting body might be far less amenable to the rules that prevent war from becoming a massacre and, with the use of modern weapons, that protect the survival of all humanity. That is what I meant by saying that women in combat might be too fierce.
Everything mattered and nothing did, and I was tired of trying to find out how both of those things were true. I was an itch that I'd scratched so hard I was bleeding. I had set out to do the impossible, whatever the impossible might be, only to find out that it was living with myself. Suicide became an expiration date, the day after which I no longer had to try.
I value my core fans I got from the hood. I think a lot of things might hit home with them, like problems with the law or how I talk about partying - all the different topics I cover when I do rap. But I also value my suburban fans who take a liking to my music and like the way I change cadences. I appreciate all of them cause both types of fans push me to record all the time, both push me to give my best when I do a show. Both push me to be the best rapper and not just do it as a hobby, but do it as a job and take it seriously and put pride in it.
If these Essays were worthy of being judged, it might fall out, in my opinion, that they would not find much favour, either with common and vulgar minds, or with uncommon and eminent ones: the former would not find enough in them, the latter would find too much; they might manage to live somewhere in the middle region.
I feel like most people aren't either/or, they're both/and. You're both magnanimous and petty. You're both kind and cruel. You're never just one thing.
People might be making too much of me maturing and growing; I’m still the same person. I still like to joke around and have fun in the locker room and on the road trips. I still get into arguments with Jonathan because we both have strong opinions, and we’re both so comfortable with our relationship that we can argue and still have a healthy friendship.
It is the strain of walking around the world-down the street, riding city buses and elevators, moving from place to place to place-and not knowing who might want to destroy you, who might like to fill your heart with poison, who might rob you and stab you, who might stand above you in the dark with a tarantula.
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