A Quote by Chris Claremont

The most basic excitement was the opportunity to work with Dave Cockrum. He was an artist I'd admired for years and our imaginations were ridiculously simpatico.
Dave Cockrum's work at Marvel and DC defined my childhood and inspired me to be a comic book creator. Without Dave, there is no New 'X-Men' resurgence, there is no Colossus, Storm, Nightcrawler, Lilandra, Star Jammers, or the Imperial Guard. His influence on generations of fans cannot be measured.
Most of the people I've been fortunate enough to work with all share the same passion for creativity, for ingenuity, for playing make-believe and really just having fun. It doesn't matter if we're blowing up cars, or shooting an emotional scene in a police station, deep inside we all know our imaginations are at work, and our imaginations are manifesting into reality - at least momentarily for the cameras to capture.
Sometimes people have sympathized with me because long years of my life were spent in jail and in exile. Well, those years ... were a mixed experience. I hated them because they separated me from the dearest thing in the world-the struggle of my people for rebirth. At the same time, they were a blessing because I had what is so rare in this world-the opportunity of thinking about basic issues, the opportunity of examining afresh the beliefs I held.
For so many years, I've been an actor acting in other people's movies, and in 'Unstoppable,' I'm producing it, and I have an opportunity to create some of that excitement with style and form and different color templates and things like that. So, as an artist, it's really exciting.
My colleagues and I took a stand in our work several years ago that we would not look for the magic bullet, because there is none. These are just basic problems requiring basic work. Nothing magic about it.
Most people are afraid to trust their imaginations and the artist is not.
Mickalene [Thomas] is an artist that I have admired for a long time. So much of her work inspires me - I spend time looking at her work when I'm writing. I feel like we're working toward the same themes, and I see our work in conversation, whether we know it or not.
As an artist, illustrator, and photographer, most of my daily work was formed around the Art & Entertainment business, which was about packaging ideas that looked like they were crafted as artist ideas. In the distributed products, my artist credit was hidden inside the package of the artist or entertainment personality.
For many people, and particularly in communities of color, the basic bargain of America - that if you work hard and play by the rules, you can share in the nation's prosperity - has become a raw deal. That's what President Obama's opportunity agenda is all about - making good on our country's half of the basic bargain.
Hill Street Blues gave me an opportunity to work with an ensemble cast of people whose work I admired.
I practiced law for 10 years, and I always admired the lawyers who were not afraid to take unpopular cases. And I never had the guts to do that. I was playing it safe. I was trying to make a living. And I just never volunteered for a really tough case, and there were some of them I should've taken. And I admired the lawyers who did.
I'm actually a ridiculously basic person when it comes to make-up, and I pretty much wear the same things I did when I started my company 22 years ago, apart from a few differently textured foundations.
Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from.
Money has to be an explosion of excitement and opportunity, yet we already secretly know that it doesn't do what it promises. Nothing has ever given us as much pleasure as our pocket money when we were 12, or our first wage at the end of that first exhausting week, paid in folded cash.
Many have gone on to do important scientific work but all remember those wonderful times when we and our science were young and our excitement in meeting new challenges knew no bounds.
I don't suppose any man has ever understood any woman since the beginning of things. You don't understand our imaginations, how wild our imaginations can be.
This site uses cookies to ensure you get the best experience. More info...
Got it!