A Quote by Chris Colfer

Like having a great idea, life comes at you fast. It hits you and tries to escape and be expressed in any way possible. In a way, it's a lot like...lightning. — © Chris Colfer
Like having a great idea, life comes at you fast. It hits you and tries to escape and be expressed in any way possible. In a way, it's a lot like...lightning.
We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
But if anyone were to conduct his life by reason He would find great riches in living a peaceful life And being contented; one is never short of a little But men want always to be powerful and famous So that their fortune rests on a solid foundation And they can spend a placid life in opulence. There isn't a hope of it; to attain great honours You have to struggle along a dangerous way And even when you reach the top there is envy Which can strike you down like lightning into Tartarus. For envy, like lightning, generally strikes at the top Or any point which sticks out from the ordinary level.
[Photographer Julian Wasser] had this great idea that I should play chess naked with Marcel Duchamp and it seem to be such a great idea that it was just like the best idea I'd ever heard in my life. It was like a great idea. I mean, it was - Not only was it vengeance, it was art, and it was, like, a great idea. And even if it didn't get any vengeance, it would still turn out okay with me because, you know, I would be sort of immortalized.
My idea for the Jamison Project was rather like a pickup company. The idea was to give the dancers a taste of the menu. Today, dancers need to try as many companies as possible without having a drop-dead loyalty to me or anyone else. They like to have the leeway to go their own way.
It's funny, because I don't have a very addictive personality in any way except for things like stories or books or movies or TV. I just get, like, completely enamored and lost in that world, especially when one really hits the right way. Like, I just can't do anything else.
There's two kinds of evil that horror fiction always deals with. One kind is the sort of evil that comes from inside people, like in Dr. Jekyll and Mr. Hyde. The other kind of evil is predestined evil. It falls on you like a stroke of lightning. That's the scary stuff, but, in a way, it's the stuff you don't have to worry about. I gotta worry whether or not I'm getting cavities. I gotta worry about whether cigarettes are giving me cancer. Those are things I can change. Don't give me lightning out of a clear sky. If that hits me I just say, "That's probably the way God meant it to be."
If I see one kid dressed up like Thunder or Lightning or Black Lightning, I'll feel like I influenced the culture in a very positive way. That's the endgame for me. If this happens, my mission will be complete.
Violence is so terribly fast . . . the most perverse thing about the movies is the way they portray it in slow motion, allowing it to be something sensuous . . . the viewer's lips slightly wet as the scene plays out. Violence is nothing like that. It is lightning fast, chaotic, and totally intangible.
If the best way to learn to succeed is to fail as fast as possible, then the second-best way is to watch someone else fail as fast as possible. Watching someone else screw up is a kind of rehearsal for your own eventual downfall. A close observation of someone else's attempt to resolve a difficulty is a great way to acquire real-world insight into whether and when to deploy their method in your own times of trouble.
I quite enjoy the lines on my forehead because they show my life. That’s my history and I like to see that in other people. Like this wrinkle is due to some girl who broke my heart. I don’t want to escape it in any way.
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
Being a mom has affected me in the greatest way possible - and in a necessary way. Having my son has helped me to be grounded, and I feel like with a child you have to really think about things all the way through.
This question haunted me all my life and suddenly it hit me: 'There is no self to realize. What the hell have I been doing all this time?' You see, that hits you like lightning. Once that hits you, the whole mechanism of the body that is controlled by this thought is shattered. What is left is the tremendous living organism with an intelligence of its own. What you are left with is the pulse, the beat and the throb of life.
I write these songs and I like the idea of letting the band interpret it as they will. This band is like any band; it's not just me. This isn't just a way for me to play my songs. There are four distinct artistic voices, and they deserve to be expressed.
I get so worried about girls with body image stuff And I feel like I have been able to have a fun career and be an on-camera talent and be someone who has boyfriends and love interests and wears nice clothes and those kinds of things without having to be an emaciated stick. And it is possible to do it. In life, you don't have to be that way and you can have a great life, a fun life, and a fulfilling love life.
I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part.... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture.
This site uses cookies to ensure you get the best experience. More info...
Got it!