A Quote by Chris Cornell
The first time I ever went to Hawaii, I was listening to island music, thinking, 'I could've been born here, and I'm pretty sure I would never play that.'
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I was over there in Hawaii. I was there on the big island. The 'Big Island' - that name cracks me up. First of all, it's not that big, so I'm pretty sure a guy came up with that name.
I'd been listening to African-American music since the first record I ever bought, which was by Sam Cooke. And it sounds more like my private thoughts that I never thought I would be able to articulate - I never thought I would be able to express publicly.
Insiders say Obama's pretty comfortable around actors. He should be. He has been 'acting' like he was born in Hawaii for a long time.
When I went to school, it was really just to immerse myself in listening to, studying, and making music. I came out like, "How is this going to be more than a hobby I'm always paying off debt for?" I could've sat at a desk and written pieces for orchestras that never would have been played, or I could've written music for me as a performer. I play electronics, and the places I was gonna be playing were bass clubs and house parties.
I could always see myself being a teacher. I remember sitting in class as a kid, listening to the teacher and thinking, you know, I'm pretty sure I could explain that a little bit better.
Moana is definitely a Disney character, which is something that I totally love. She's totally bad butt: really awesome. I think she really embodies it because I, as someone who has grown up, been born and raised on the island of Hawaii - so, the Big Island - I love my culture.
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
I'm always producing with the idea that the music is representing one person. That could play a factor in the intimacy of it. I'm always producing for that one person, never for a group of people - especially if it's non-danceable. I'm always thinking that one person's going to listen to this and that person might want to feel a certain way at a certain time. That can be out in space, it can be at the bus stop, it can be laying in bed listening to music. I look at it as if I'm whispering in someone's ear, basically.
Music was born of love. Had there never been any human affection, there never could have been uttered a strain of music.
No. Haven’t you been listening?” Marcus would always remember that moment. It was to be the first time he would ever be faced with that most vexing of female quirks: the question that had nothing but wrong answers.
I grew up listening to Jay-Z, and I think the first time I really became obsessed with learning and thinking about lyrics was when I started listening to rap; I was 11, 12, and started becoming aware of music beyond the familiar.
People sometimes ask who I would cast in my books and I never have any idea. I don't think I could ever write a book thinking of it as a movie the whole time. This would be like building a house and filling it with furniture just so you could have blueprints.
I was born with this love for music, and I say 'born with' because I don't really remember a day waking up and deciding that I'm going do to music. It's been all I've ever done and all I've ever wanted to do.
When I was born, my dad was playing music, so I'm pretty sure he was singing to me in the womb. I was born into music, in a way, because he was playing acoustic guitar. I was around an instrument growing up.
Growing up, any time I would sit down with my grandfather to learn or talk about Carnatic music, he would bring up G. N. Balasubramaniam. Listening to the recordings he would play me, I was dazzled by GNB's voice and how he was able to execute ideas that I could barely wrap my head around.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
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