A Quote by Chris Cornell

I rejected most of the folk I was exposed to in the Seventies. I came around later to Tom Waits, some parts of Jim Croce, and a lot of Cat Stevens. — © Chris Cornell
I rejected most of the folk I was exposed to in the Seventies. I came around later to Tom Waits, some parts of Jim Croce, and a lot of Cat Stevens.
In the early 60s, folk music seemed to be very popular. In the early 70s, people like James Taylor, John Denver, Jim Croce and Cat Stevens brought back the interest in acoustic music. Today, we don't hear anything.
A Cat Stevens record isn't just Cat Stevens' ideas. It's Cat Stevens and all the musicians who play with Cat Stevens, right?
I was influenced by the Beats because I actually just began to commit adolescence around 1955, when "Howl" and Rebel Without a Cause and a lot of other new things were popping up. (Again I'm trying to give you a finite version of this career.) And then I came under the sway of Wallace Stevens when I was in college and graduate school, and basically set as a life goal the ambition of writing third-rate Wallace Stevens. I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
I got to watch my heroes meet him and saw how they reacted, whether it was Joe Strummer or Tom Waits. It was peculiar. I'm so stoked to meet Tom Waits, and he's so nervous to meet my dad. It's a head spin.
I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
If you like someone's work, the important thing is to be exposed to everything that person has been exposed to. Anyone who wants to be a songwriter should listen to as much folk music as they can, study the form and structure of stuff that has been around for 100 years.
You got this new breed of hipster chicks and hipster men that don't understand anything about sacrifice. They didn't lay it on the line. People like Cat Power, Tom Waits, they are the last of the beats, the real true philosophers.
I certainly hear a lot of people say that Donald Trump not only incited some bad things. He also exposed some things. He exposed pain in America that a lot of us didn't have the full extent of, some of the divisions and chasms in the country.
Oh cat, I'd say, or pray: be-ootiful cat! Delicious cat! Exquisite cat! Satiny cat! Cat like a soft owl, cat with paws like moths, jewelled cat, miraculous cat! Cat, cat, cat, cat.
I have a piano in my kitchen. I read a great biography about Tom Waits that said that he had a piano in his kitchen; he had a grand piano in his kitchen. And I thought, 'Well, if Tom Waits has one, then I must.'
Cat Stevens' music, voice, and energy made me feel so secure. He sounded different from some of the paternal figures in my life, so gentle and kind.
Growing up, I listened to a lot of American singer/songwriters, so a lot of Tom Waits, Paul Simon - also Woody Guthrie and Bob Dylan. And bands like Vampire Weekend.
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
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