A Quote by Chris Coleman

When you talk about professional footballers, rightly or wrongly, people often already have an idea in their head about what they're like; they'll paint a picture before they've met them.
The believers in miracles accept them (rightly or wrongly) because they have evidence for them. The disbelievers in miracles deny them (rightly or wrongly) because they have a doctrine against them.
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet.
We all have friends that we confide in and talk to about our relationships. At times, we do not recognize the effect that this has on our relationship. We take a lot of what other people have to say to heart, and rightly or wrongly, it makes our way into our relationships.
People talk about footballers and they get a bad press when not all of them deserve it.
I enjoy the debate... I haven't met a single person in Congress yet that I dislike. It's not about moderating your views: it's about being able to talk about them and defending them in a way that's uplifting to people.
My characters live inside my head for a long time before I actually start a book about them. Then, they become so real to me I talk about them at the dinner table as if they are real. Some people consider this weird. But my family understands.
All sorts of problems and the interconnectedness between them that [Buckminster Fuller] was able to perceive sometimes rightly, often wrongly, always interestingly and also the fact that he was looking at solutions often that were not feasible in his own time but potentially could be applied today.
If you're not mechanically in the community with people from the community trying to talk about our party, talk about school choice, talk about SBA loans for business owners - if someone's not there, nothing is going to change. You also need to have the tone ... people believe obviously you like them. If people don't think you like them, then they're not going to vote for you.
Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.
When I'm talking to groups that are all men, we talk about how the masculine role limits them. They often want to talk about how they missed having real fathers, real loving, present fathers, because of the way that they tried to fit the picture of masculinity.
The best books, they don’t talk about things you never thought about before. They talk about things you’d always thought about, but you didn’t think anyone else had thought about. You read them, and suddenly you’re a little bit less alone in the world. You’re part of this cosmic community of people who’ve thought about this thing, whatever it happens to be.
Too often when we talk about racial or economic justice, we white people do not see ourselves in the picture. We feel like it's all well and good for other people to do better, but not at our expense, and it won't benefit us.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
If you talk in a way that is too dissimilar to the character, when people are showing up to see you talk about the show, often it seems like it's jarring to them.
I just want to leave a mark on the sport of boxing so people talk about me like they talk about the other great champions before me. That's my goal before I retire.
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