A Quote by Chris Crutcher
What I hope my writing reflects... is a sense of the connections between all human beings... and a different perspective on the true nature of courage. For me, those are things worth exploring and writing about.
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the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat
I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
There are two statements about human beings that are true: that all human beings are alike, and that all are different. On those two facts all human wisdom is founded.
That's something that seems to happen when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
When I started writing poetry, it was always in very hip-hop influenced spaces: Someone would teach a Nas song side-by-side with a Gwendolyn Brooks poem, and we'd talk about the connections between those things.
With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me. That's something that seems to happen as well when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.
I was chastised for writing several obituaries for Malcolm X, exploring different aspects of his writing. One teacher in particular told me, didn't I think I was beating a dead horse? and dismissively threw my paper on my desk.
Being a pessimist is just such a gloomy way of looking at things, so I have to hope for the best - life wouldn't be worth living if we didn't have hope. And I also do think that human beings often do do wonderful, correct, brilliant things. So, on balance, I'd like to be optimistic about the future.
There is so much about the process of writing that is mysterious to me, but this one thing I've found to be true: writing begets writing.
Now I'm writing about contemporary Los Angeles from memory. My process was to hang out, observe, research what I was writing about, and almost immediately go back to my office and write those sections. So it was a very close transfer between observation and writing.
The writers are writing human beings, and they're writing about the human condition and how difficult it is to function in that condition. I think it's one of the charms of the show, the idea of redemption and working towards becoming better people, for everybody involved.
One of the things that's great about writing for a magazine is that every week you get to be a different person. You're writing different things all the time and not slogging along for years on something.
I love writing about black women, but if you go beyond that, we're human beings - and because we're human beings, it's universal for everybody.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
For me, writing about hotels is like writing about being in a parallel universe. The sense of voyeurism, and the sense of removedness, and there are all these people silently above you and next to you.
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